Ok, bit of a brainbake, and a wall of text to get through here, if you're not interested in binaurals and acoustics, it could cave your head in a bit.
I've just done a track using Keely's Key to Vibrational Rotation as a guide, where for the first time I've produced a carrier tone comprised of three notes. The carrier tone is bounced to audio, and the audio reproduced into two channels on the mixer, one panned left and the other panned right. The audio panned right is then pitch shifted up by the equivelent of 4hz. I was only expecting a single oscillation at 4hz, but instead found three distinct osciallations which have the psychoacoustic effect of allowing the listener to clearly percieve and seperate the tonal elements of the triadic chord individually.
The generated waveform (a complex interference pattern) was expected since this is not just a single frequency. However what is unexpected is the uniformity of three distinct oscillations. Also unexpected is the usual overall modulated amplitude fluctuations of the waveform when the two stereo tracks are then bounced to a single mono track are not present. How then is this waveform able to reproduce the psycho-accoustic illusions of split tones, harmonic dischord and three distinct volume modulations all at once, unless the listener's perception is being effected? Further, the root note, Ab in the 1st octave, is noted to have a harmonic oscillation with a psycho-acoustic illusory cycle of greater than 1 second, or less than 1hz, (I estimate around 0.5 ~ 0.3hz) well below any known or recorded mental state.
The three notes of the triad themselves resonate in sympathetic vibration. When split into a binaural media with a difference of 4hz between the carrier and the modulator, the three oscilations seem to be around 0.3 hz (unknown state, sub-subconscious,) 4-6hz (high Theta/low Alpha) and 50-55hz (extremely high/hyper-alpha.) It is interesting that one tone produces oscilations to match brain wave frequencies for an unknown state beneath deep, intuitive thought, a relaxed cognitive state and a highly focused cognitive state all at the same time. This significance of the ultra low frequency oscilation and the brainwave state it coresponds to is not known. The implied significance of the hyper-alpha is manifest as fluctuating remarkably high levels of mental 'focus.' interspersed by a feeling of relaxation and general ease.
Also, using the rudimentary equipment available to me to monitor perineural voltage, a decline of 0.1 to 0.15 volts (approx 20 to 25%) can be observed within seconds when playback begins. I would very much appreciate hearing the results of more conclusive tests with better equipment of more accurate monitoring of perineural voltage and EEG readings. Golly, lucky you and I coincidentally found these forums, huh?
Sit where the oscillations sound as loud and pronounced as you can, and grab a notepad and pen and then kick back and relax and listen to your thoughts. The ideas and insights you'll be able to cognitise when you act as an aggregate in this particular resonant field are profound but fleeting, you'll want to take notes.
Notes, Warnings and Blessings:
Warnings first. DO NOT use this binaural if you SUFFER from tinitus (a form of auditory damage arising from bending the cillia which manifests as a ringing in the ears.) If like me you HAVE tinitus but don't SUFFER from it, be aware this binaural will effect the condition and make the ringing more intense and frequent than usual for some time after listening.
Some mild dizziness or vertigo for a moment or two has been noted by some subjects, to date nobody has had a significant middle ear effect from this binaural but if you experience a significant disorentation like seasickness, stop playback, remain seated and look around the room focusing for a moment on objects at various distances and elevations from you until the feeling passes before trying to stand. Something on the roof, somethinng on the desk, something on the floor, something on the wall, something on the other end of the desk, you get the idea. This re-orients and re-alligns perception and middle ear function. These two being out of allignment is what causes motion sickness.
Do not operate machinary or operate any vehicle while listening to, or for a reasonable period after listening to this binaural. It effects are not fully understood or quantified and as always, please err on the side of caution and good sense for your own and other's saftey. Ok? Ok.
So then, here's a link to a short mp3 sample of the resultant binaural for your own listening pleasure. Ab & Cb complex interference binaural.mp3
Ideally, use bi-amplified nearfield reference monitors for playback, but any stereo system or 2.1 speaker setup should do the trick. If you don't have a soundproof room, at least cut out as many environmental sounds as possible, especially anything subtle and rythmic. Switch off airconditioners, water pumps, ticking clocks etc, anything with a constant, repetitive sound. Put the left and right speakers an equal distance from your left and right ear, sit comfortably at a point that forms the tip of an equalateral triangle with the two speakers as the base line and you as the tip and turn up the volume. Imagine the speakers are at the sides of a pond, and are radiating concentric rings outwards across the surface of the pond. Sit where the waves are meeting. Fine tune your position by moving about a little to the left, a little right, a little forward, a little back, until the bass harmonic (the longest, lowest sound) is cycling from left to right in front of you, from one speaker to another. This is the center of the harmonic dissonance field.
A more mundane and practical application of this psycho-acoustic illusion is to set the balance in your car stereo system, when you hear the effects of the tone ringing evenly, you know you've set up a perfect stereophonic or quadraponic field. hmmm. out of the blue comes the hexaphonic field again. The body is water, water crystalises (freezes) in hexagons. So a six phase audio field would be more conducive to inducing a harmonic effect on the body's water mass, which is the part of this exchange which is the attracrtive manifestation of vibratory force. The sound is the creative manifestation, the air the transmissive manifestation. A disonant hexaphonic field of three pairs of two phases would create a further level of resonance conducive to reception by the water's fundamental structure as observed in it's solid, cystaline form (ice), optomisising the sympathetic resonance, the attractive force, which acts in the listener. There's that six speaker insight again. Ok, thank you, get 4 more speakers for a test, 2 off hilton, two off NOG, got it, thanks big guy. Oh and array them as point on a triangular pyramid, because the field and space has four dimensions, and arraying them in a flat, euclidic hexagon is just trying to impose a theoretical geometric paradigm into three dimensional space? If you say so. ...That's going to take some doing
From what I understand from I've read elsewhere on these forums, those of you doing TRV are tapping into exactly the same source as me for your answers. So I'd be very interested to read about anyone's experiences doing TRV's during or after exposure to this particular binaural. I suspect the more in tune with touching the matrix you are, the easier you will get a result from this binaural. If you're already resonating close to this state often enough, it becomes a familiar state, and easier to induce and recognise. As always, it is my intent to understand, to create, and then to share freely, knowing that what I give is already yours and that applying it moves us all closer to manifesting the greatest possible good. Use it freely with the same intent. In the spirit of unity, Namaste.
I've just done a track using Keely's Key to Vibrational Rotation as a guide, where for the first time I've produced a carrier tone comprised of three notes. The carrier tone is bounced to audio, and the audio reproduced into two channels on the mixer, one panned left and the other panned right. The audio panned right is then pitch shifted up by the equivelent of 4hz. I was only expecting a single oscillation at 4hz, but instead found three distinct osciallations which have the psychoacoustic effect of allowing the listener to clearly percieve and seperate the tonal elements of the triadic chord individually.
The generated waveform (a complex interference pattern) was expected since this is not just a single frequency. However what is unexpected is the uniformity of three distinct oscillations. Also unexpected is the usual overall modulated amplitude fluctuations of the waveform when the two stereo tracks are then bounced to a single mono track are not present. How then is this waveform able to reproduce the psycho-accoustic illusions of split tones, harmonic dischord and three distinct volume modulations all at once, unless the listener's perception is being effected? Further, the root note, Ab in the 1st octave, is noted to have a harmonic oscillation with a psycho-acoustic illusory cycle of greater than 1 second, or less than 1hz, (I estimate around 0.5 ~ 0.3hz) well below any known or recorded mental state.
The three notes of the triad themselves resonate in sympathetic vibration. When split into a binaural media with a difference of 4hz between the carrier and the modulator, the three oscilations seem to be around 0.3 hz (unknown state, sub-subconscious,) 4-6hz (high Theta/low Alpha) and 50-55hz (extremely high/hyper-alpha.) It is interesting that one tone produces oscilations to match brain wave frequencies for an unknown state beneath deep, intuitive thought, a relaxed cognitive state and a highly focused cognitive state all at the same time. This significance of the ultra low frequency oscilation and the brainwave state it coresponds to is not known. The implied significance of the hyper-alpha is manifest as fluctuating remarkably high levels of mental 'focus.' interspersed by a feeling of relaxation and general ease.
Also, using the rudimentary equipment available to me to monitor perineural voltage, a decline of 0.1 to 0.15 volts (approx 20 to 25%) can be observed within seconds when playback begins. I would very much appreciate hearing the results of more conclusive tests with better equipment of more accurate monitoring of perineural voltage and EEG readings. Golly, lucky you and I coincidentally found these forums, huh?
Sit where the oscillations sound as loud and pronounced as you can, and grab a notepad and pen and then kick back and relax and listen to your thoughts. The ideas and insights you'll be able to cognitise when you act as an aggregate in this particular resonant field are profound but fleeting, you'll want to take notes.
Notes, Warnings and Blessings:
Warnings first. DO NOT use this binaural if you SUFFER from tinitus (a form of auditory damage arising from bending the cillia which manifests as a ringing in the ears.) If like me you HAVE tinitus but don't SUFFER from it, be aware this binaural will effect the condition and make the ringing more intense and frequent than usual for some time after listening.
Some mild dizziness or vertigo for a moment or two has been noted by some subjects, to date nobody has had a significant middle ear effect from this binaural but if you experience a significant disorentation like seasickness, stop playback, remain seated and look around the room focusing for a moment on objects at various distances and elevations from you until the feeling passes before trying to stand. Something on the roof, somethinng on the desk, something on the floor, something on the wall, something on the other end of the desk, you get the idea. This re-orients and re-alligns perception and middle ear function. These two being out of allignment is what causes motion sickness.
Do not operate machinary or operate any vehicle while listening to, or for a reasonable period after listening to this binaural. It effects are not fully understood or quantified and as always, please err on the side of caution and good sense for your own and other's saftey. Ok? Ok.
So then, here's a link to a short mp3 sample of the resultant binaural for your own listening pleasure. Ab & Cb complex interference binaural.mp3
Ideally, use bi-amplified nearfield reference monitors for playback, but any stereo system or 2.1 speaker setup should do the trick. If you don't have a soundproof room, at least cut out as many environmental sounds as possible, especially anything subtle and rythmic. Switch off airconditioners, water pumps, ticking clocks etc, anything with a constant, repetitive sound. Put the left and right speakers an equal distance from your left and right ear, sit comfortably at a point that forms the tip of an equalateral triangle with the two speakers as the base line and you as the tip and turn up the volume. Imagine the speakers are at the sides of a pond, and are radiating concentric rings outwards across the surface of the pond. Sit where the waves are meeting. Fine tune your position by moving about a little to the left, a little right, a little forward, a little back, until the bass harmonic (the longest, lowest sound) is cycling from left to right in front of you, from one speaker to another. This is the center of the harmonic dissonance field.
A more mundane and practical application of this psycho-acoustic illusion is to set the balance in your car stereo system, when you hear the effects of the tone ringing evenly, you know you've set up a perfect stereophonic or quadraponic field. hmmm. out of the blue comes the hexaphonic field again. The body is water, water crystalises (freezes) in hexagons. So a six phase audio field would be more conducive to inducing a harmonic effect on the body's water mass, which is the part of this exchange which is the attracrtive manifestation of vibratory force. The sound is the creative manifestation, the air the transmissive manifestation. A disonant hexaphonic field of three pairs of two phases would create a further level of resonance conducive to reception by the water's fundamental structure as observed in it's solid, cystaline form (ice), optomisising the sympathetic resonance, the attractive force, which acts in the listener. There's that six speaker insight again. Ok, thank you, get 4 more speakers for a test, 2 off hilton, two off NOG, got it, thanks big guy. Oh and array them as point on a triangular pyramid, because the field and space has four dimensions, and arraying them in a flat, euclidic hexagon is just trying to impose a theoretical geometric paradigm into three dimensional space? If you say so. ...That's going to take some doing
From what I understand from I've read elsewhere on these forums, those of you doing TRV are tapping into exactly the same source as me for your answers. So I'd be very interested to read about anyone's experiences doing TRV's during or after exposure to this particular binaural. I suspect the more in tune with touching the matrix you are, the easier you will get a result from this binaural. If you're already resonating close to this state often enough, it becomes a familiar state, and easier to induce and recognise. As always, it is my intent to understand, to create, and then to share freely, knowing that what I give is already yours and that applying it moves us all closer to manifesting the greatest possible good. Use it freely with the same intent. In the spirit of unity, Namaste.
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