The Brain is an Advanced Fractal Antenna

[MonsieurM]

an interesting vid ..... BREAKING: Sphere Deflects Solar Eruption! May 25, 2012 - SunsFlare , page 1



About the the Story of Thor you posted

If Thor was a trait of character what would it be

[MonsieurM]

All is Analogy:

there is more to it than just ceremony

Japanese tea ceremony - Wikipedia, the free encyclopedia

The Japanese tea ceremony, also called the Way of Tea, is a Japanese cultural activity involving the ceremonial preparation and presentation of matcha, powdered green tea. In Japanese, it is called chanoyu (茶の湯?) or chadō, sadō (茶道?). The manner in which it is performed, or the art of its performance, is called otemae (お手前; お点前?). Zen Buddhism was a primary influence in the development of the tea ceremony. Much less commonly, it uses leaf tea, primarily sencha; see sencha tea ceremony, below.

Tea gatherings are classified as chakai (茶会?) or chaji (茶事?). A chakai is a relatively simple course of hospitality that includes confections, thin tea (薄茶 usucha?), and perhaps a light meal. A chaji is a much more formal gathering, usually including a full-course kaiseki meal followed by confections, thick tea (濃茶 koicha?), and thin tea. A chaji can last up to four hours.

Seasons

The ro season; a host rests a bamboo ladle on an iron pot that rests inside the ro).

Seasonality and the changing of the seasons are important in tea ceremony. Traditionally the year is divided by tea practitioners into two main seasons: the sunken hearth (炉 ro?) season, constituting the colder months (traditionally November to April), and the brazier (風炉 furo?) season, constituting the warmer months (traditionally May to October). For each season, there are variations in the temae performed and utensils and other equipment used. Ideally, the configuration of the tatami in a 4.5 mat room changes with the season as well.

------------------ If you look even closer from treeling to the tea ceremony itself is a living allegory to the work of the Alchemist / Telestis


Forbidden Kyoto - The Depth of Green Tea - YouTube

the best Green tea ( you ) is grown in the Shade

[IMG][/IMG]

Gyokuro - Wikipedia, the free encyclopedia

Gyokuro (Japanese: 玉露?, "jewel dew") is a fine and expensive type of shaded green tea from Japan. It differs from the standard sencha (a classic unshaded green tea) in being grown under the shade rather than the full sun. Gyokuro also differs from another shaded tea called kabusecha (lit., "covered tea"), in the length of time it undergoes the final growth under the shade (gyokuro is shaded for approximately three weeks, while kabusecha is shaded for approximately one week[1]). The name "gyokuro" translates as "jewel dew" (or "jade dew", referring to the pale green colour of the infusion). While most sencha is from the Yabukita (薮北?) cultivar of Camellia sinensis, gyokuro is often made from a specialized variety such as Asahi, Okumidori, Yamakai, and Saemidori.

Zen and tea

Zen Buddhism has been an influence in the development of the tea ceremony. The elements of the Japanese tea ceremony is the harmony of nature and self cultivation, and enjoying tea in a formal and informal setting.

[Michael C]

Thor would represent Indra, Jupiter or Zeus. Odin is his father, and the earth, manifested as the woman Frigg, Odin's wife, is his mother.

So the son of earth and knowledge battles the serpents which his father never fought but moved to a secure place, sometimes win but in the long run lose. Makes sense to me. Although hard won, there will be a happy ending to the story as soon as their regime meets Ragnarök? The golden days will be met by a new serpent, a new vibration that not necessarily damages the then living but would have been a terror for the old ones? One could always wish for it and affirm it in that way.

[Michael C]

The egyptian Ra seems to be a crossing of Odin and Thor. Ra can send his eye around the sky and watch what's going on, (Odin's eye) and battles giants and trolls (Thor/Indra). Indra also has a serpent to deal with, Vritra.

In the top of the world tree sits an eagle with a falcon in his forehead. Came to think of Ra and Horus. So the creatures that lives in the world tree are not free standing entities, they're different kinds of representations of the gods. Their Totems perhaps, in a way.

[MonsieurM]

Thor would represent Indra, Jupiter or Zeus. Odin is his father, and the earth, manifested as the woman Frigg, Odin's wife, is his mother.

So the son of earth and knowledge battles the serpents which his father never fought but moved to a secure place, sometimes win but in the long run lose. Makes sense to me. Although hard won, there will be a happy ending to the story as soon as their regime meets Ragnarök? The golden days will be met by a new serpent, a new vibration that not necessarily damages the then living but would have been a terror for the old ones? One could always wish for it and affirm it in that way.

The Yugas Within and Without

[MonsieurM]

a fractal construct has an 'efficient function', it has a fractal ergonomy to them, they function on multiple levels and in multiple dimensions:

the following may help you see through the myst

Most Holy Trinosophia: Notes and Commentaries

St.-Germain chiefly employs alchemical symbols in this book of The Threefold Wisdom. This in no way infers that he is actually writing of chemical processes, for, as most of the great alchemists have agreed, the manufacturing of material gold is the least part of their science. That St.-Germain’s meaning may be clear and the correlations between the zodiacal signs and the alchemical processes become evident, the following table will prove useful:


Aries
Calcination
Expulsion of the animal soul through heat. (Purification by the fire of aspiration.)

Taurus
Congelation
The union of parts; the achievement of one-pointedness or purpose.

Gemini
Fixation
The condition of becoming firm, the fixing of the will.

Cancer
Dissolution
To dissolve or to suspend in a fluid state; the universalizing of the personality.

Leo
Digestion
To soften by heat and moisture; to perfect the mind in wisdom (heat) and imagination (humidity).

Virgo
Distillation
The separation of the volatile principle from substance; the release of the soul from its involvement in bodily limitation.

Libra
Sublimation
The refining of elemental bodies; the increasing of the vibratory harmonies of the body.

p. 92



Scorpio
Separation or Putrefaction
The philosophic death; an artificial decay by which the spiritual and material elements are separated from each other.

Sagittarius
Incineration
The burning away of dross; the soul fire comsumes the external body.

Capricorn
Fermentation
The conversion of organic susbtance into new compounds by a ferment; the building of the Golden Man.

Aquarius
Multiplication
The process of increasing; adeptship.

Pisces
Projection
The process of transmuting base substance into Gold; the perfection of the Work; immortality; in the eastern tradition, Buddhahood.


The arrangement of these symbols and processes differs in minor degree among the various writers, but the principle is always the same—the tran mutation of the not-Self into the Self; the tincturing of the outer life with the inner grace; the projection of soul upon its physical environment; the sublimation of evil into good; the multiplication of beauty, love, and truth until finally the powder of projection (wisdom) shall tincture the whole world. The alchemists tell us that a minute particle of the "Red Lion" can transmute into the purest gold a hundred thousand times its own weight. Wisdom—and wisdom alone—can accomplish this, for one wise man can perfect the ages, and a little truth will in time so greatly increase that the universe may not contain it.



ps: this system / process is scalable on all levels ( think electromagnetically )

[MonsieurM]

Comte de St. Germain --- The Most Holy Trinosophia (Alchemy)

Comte de ST. GERMAIN

The Most Holy Trinosophia

SECTION THREE

A strong wind arose and I had difficulty in keeping my lamp alight. At last I saw a white marble platform to which I mounted by nine steps. Arrived at the last one I beheld a vast expanse of water. To my right I heard the impetuous tumbling of torrents; to my left a cold rain mixed with masses of ail fell near me. I was contemplating this majestic scene when the star which had guided me to the platform and which was slowly swinging overhead, plunged into the gulf. Believing that I was reading the commands of the Most High, I threw myself into the midst of the waves. An invisible hand seized my lamp and placed it on the crown of my head. I breasted the foamy wave and struggle to reach the side opposite the one which I had left. At last I saw on the horizon a feeble gleam and hastened forward. Perspiration streamed down my face and I exhausted myself in vain efforts. The shore which I could scarcely discern seemed to recede to the degree I advanced. My strength was ebbing. I feared not to die, but to die without illumination… I lost courage, and lifting to the vault my tear-streaming ayes I cried out: ‘Judica Judicium meum et redime me, propter eloquium tuum vivifica me’ (Judge thou my judgment and redeem me, by thy eloquence make me live). I could hardly move my tired limbs and was sinking more and more when near me I saw a boat. A richly dressed man guided it. I noticed that the prow was turned toward the shore which I had left. He drew near. A golden crown shone on his forehead. ‘Vade me cum’, said he, ‘mecum principium in terries, intruam te in via hac qua gradueris’ (Come with me, with me, the foremost in the world; I will show thee the way thou must follow). I instantly answered him: ‘Bonum est sperare in Domino quam considere in princibus’ (It is better to trust in the Lord than to sit among the mighty). Whereupon the boat sank and the monarch with it. Fresh energy coursed through my veins and I gained the goal of my efforts. I found myself on a shore covered with green sand. A silver wall was before me inlaid with two panels of red marble. Approaching I noticed on one of them a sacred script, the other being engraved with a line of Greek letters; between the two plates was an iron circle. Two lions, one red and the other black, rested on clouds and appeared to guard a golden crown above them. Also near the circle were to be seen a bow and two arrows. I read several characters written on the flanks of one of the lions. I had barely observed these different emblems when they vanished together with the wall which contained them.

----------------------------------

SECTION SIX

The hall is called
and the triangular altar
Before thou visit this edifice, each of my eight brothers and myself will present thee with a gift’. He walked up to me and with the kiss of peace gave me a cube of grey earth called
(see drawing )
the second gave me three cylinders of black stone called
(see drawing )
the third a small piece of rounded crystal called
the fourth a crest of blue plumes named
the fifth added a silver vase which carried the name of
the sixth gave me a cluster of grapes known by the sages under the name of
the seventh presented me with the figure of a bird similar in its form to
but it had not its brilliant hues; it was of silver. ‘It has the same name’, he said to me; ‘it is for thee to give it the same virtues’. The eighth gave me a small altar, resembling the altar ( see drawings )



-----------------------

SECTION NINE

I saw with surprise that in order to reach the other buildings I should have to cross a wider lake than the first one. For eighteen days I walked in the water. I recalled that when crossing the first lake its waters became darker and thicker as I advanced. The waters of this lake, on the contrary, became ever clearer the closer I approached the shore. My robe, which had in the palace become as black as the walls, seemed to me to be of a grayish hue; gradually it resumed its colors; however, it did not become entirely blue but was nearer to a beautiful green.

---------------

SECTION TWELVE

With astonishment I gazed around this crystal globe when a new phenomenon excited my admiration. From the floor of the hall ascended a gentle vapor, moist and saffron yellow. It enveloped me, raised me gently and within thirty-six days bore me up to the upper part of the globe. Thereafter the vapor thinned; little by little I descended and finally found myself again on the floor. My robe had changed its colour. It had been green when I entered the hall, but now changed to a brilliant red. A contrary effect had taken place in the sand on which the globe rested. Gradually its red colour had been transformed into black. After finishing my ascent I remained three more days in that hall.




SECTION EIGHT

To reach it I would have been obliged to follow the windings of a shore covered with rocks, and I preferred to cross the lake. I entered the water which was as thick as cement. I noticed that it was useless for me to swim since my feet touched bottom everywhere. I walked in the lake for thirteen days. At last I came to the other shore.

one more piece of info:

To reach it I would have been obliged to follow the windings of a shore covered with rocks

[MonsieurM]

Let us go back to Harmonic Interference ..... more exactly the Venus Blueprint

In ancient times, astronomers tracked the orbit of Venus very closely, discovering that it traced a pentagonal rose pattern in the sky over eight years.
. Caused by a planetary resonance where Venus orbits the Sun thirteen times for every eight orbits of the Earth, this rose-line or “rosslyn” pentacle was greatly revered in the mystery schools. It was even used as a blueprint to design the “sacred spaces” of many famous chapels, cathedrals and temples.

from: About the book

Resonant Symbols of Venus
In 2006, I saw a press release announcing that the resonance patterns of a song had been carved into the arches of Scotland’s 15th-century Rosslyn chapel. Curious as to why resonant patterns would be carved into the architecture of a medieval chapel, I began to study the chapel. It was not long before I began to suspect that Rosslyn had been built to honor Venus and its resonant rose-line.

The most obvious clues were the thirteen cherubs and eight dragons carved into the easternmost pillars, suggestive of the 13:8 Venus-Earth orbital resonance. This connection made sense since the ancient Greeks and Romans considered cherubs the children of Venus while serpent-dragons were also associated with the Venusian goddess Shukra in the Rig-Veda. The discovery in 2010 of two manmade beehives carved into the chapel’s roof seemed to confirm this connection between Rosslyn and Venus, as bees are an ancient fertility symbol for Venus.

Yet, there were more clues that connected Rosslyn with Venus. Pentagrams carved underneath the cherubs suggest the pentagonal rose pattern of Venus while each cherub is shown playing a musical instrument, an obvious reference to the goddess of music. This musical symbolism extends even into the proportions and acoustics of the chapel’s architecture.

For instance, the inner dimensions of the chapel form a double square measuring 36 by 72 feet with a diagonal distance of 80.5 feet that is proportional to the square root of five. Since the famous golden ratio constant is derived from the square root of five and every orbital intersection of the Venus rose-line creates a golden ratio, the chapel seems built to harmonize with Venus. Add to this the fact that the choir loft height of 44.5 feet forms another golden ratio to the total interior length (as 72’ / 44.5’ = 1.618) and it seems hard not to conclude the Lady Chapel was built as a temple to Venus.

In examining the acoustical properties of the chapel, I calculated that at a room temperature of 20°C, the chapel’s prime resonant frequency is 27 hertz with a wavelength equal to the 72-foot interior length of the chapel. This means that the chapel is naturally tuned to A-422.25 – a tuning known as “classical tuning,” used as the standard reference pitch during the 18th century. This is significant because it happens to be a very natural tuning that can help synchronize the human mind with the Earth and all of nature.

Not coincidentally, the temperature required to gestate a beehive is 33.72°C (equal to 93.7°F) – the very same temperature required to raise the tuning of Rosslyn up to A-432 or what is known as “universal tuning.” At this hive temperature, singing the right chant and music could push the brain further into the Gamma range, perhaps even inducing what is known as “unity of consciousness.”
Thus, the beehives in the chapel’s roof, the symbolic children of Venus, may have been used as a kind tuning fork to measure the temperature and frequency needed to reunify human consciousness, fertilize the spirit and perhaps “hatch” a soul during funerary rites. It appears the Venus Blueprint not only creates a wonderful anechoic acoustical space to cleanly propagate speech and music but also a psychoacoustical space capable of triggering elevated states of consciousness.

a Harmonic Cascade Effect

COHERENCE AT ANY LEVEL IS COHERENCE AT ALL LEVELS.
An orderly arrangement between wave lengths establishes a connection between frequencies and fields. But for this connection to last, it must resonate to all frequencies and fields. This can only be accomplished through the resonate structure of golden mean pathways. a harmonic cascade effect

more info in the link

[MonsieurM]

one more info:

The most obvious clues were the thirteen cherubs and eight dragons carved into the easternmost pillars, suggestive of the 13:8 Venus-Earth orbital resonance. This connection made sense since the ancient Greeks and Romans considered cherubs the children of Venus while serpent-dragons were also associated with the Venusian goddess Shukra in the Rig-Veda. The discovery in 2010 of two manmade beehives carved into the chapel’s roof seemed to confirm this connection between Rosslyn and Venus, as bees are an ancient fertility symbol for Venus.

did you know there is a verse in the Quran ( Islam's Sacred Book ) called the Bee ( let you do yourselves the 3 6 9 Pattern )

Surat An-Nahl - The Noble Qur'an - القرآن الكريم it is verse 16 ( HM 7 as in 7 Principles )




-------------------------

For instance, the inner dimensions of the chapel form a double square measuring 36 by 72 feet with a diagonal distance of 80.5 feet that is proportional to the square root of five. Since the famous golden ratio constant is derived from the square root of five and every orbital intersection of the Venus rose-line creates a golden ratio, the chapel seems built to harmonize with Venus. Add to this the fact that the choir loft height of 44.5 feet forms another golden ratio to the total interior length (as 72’ / 44.5’ = 1.618) and it seems hard not to conclude the Lady Chapel was built as a temple to Venus.

if you look at Tesla and Leedskalnin work http://www.energeticforum.com/renewa...netism-77.html

Acoustically speaking ( probably also electromagnetically speaking too ) , these dimensions make Rosslyn chapel a natural resonance chamber that propagates sound evenly while suppressing reverb and echo. It does this because of the damping effect of the golden ratio, long used in the design of “anechoic” musical instruments, auditoriums, recording studios and speaker enclosures. As an ideal acoustical damping enclosure, Rosslyn reflects the same damping effect Venus had on Earth during the harmonic formation of the solar system.

a Harmonic Cascade Effect

COHERENCE AT ANY LEVEL IS COHERENCE AT ALL LEVELS.
An orderly arrangement between wave lengths establishes a connection between frequencies and fields. But for this connection to last, it must resonate to all frequencies and fields. This can only be accomplished through the resonate structure of golden mean pathways. a harmonic cascade effect

[MonsieurM]

CAT STEVENS MY LADY D' ARBANVILLE - YouTube

My Lady d'Arbanville, why do you sleep so still?
I'll wake you tomorrow
and you will be my fill, yes, you will be my fill.

My Lady d'Arbanville why does it grieve me so?
But your heart seems so silent.
Why do you breathe so low, why do you breathe so low,

My Lady d'Arbanville why do you sleep so still?
I'll wake you tomorrow
and you will be my fill, yes, you will be my fill.

My Lady d'Arbanville, you look so cold tonight.
Your lips feel like winter,
your skin has turned to white, your skin has turned to white.

My Lady d'Arbanville, why do you sleep so still?
I'll wake you tomorrow
and you will be my fill, yes, you will be my fill.

La la la la la....

My Lady d'Arbanville why does it grieve me so?
But your heart seems so silent.
Why do you breathe so low, why do you breathe so low,

I loved you my lady, though in your grave you lie,
I'll always be with you
This rose will never die, this rose will never die.

I loved you my lady, though in your grave you lie,
I'll always be with you
This rose will never die, this rose will never die.

one more from an amazing voice




Hallelujah - Leonard Cohen - YouTube

"Hallelujah"

I've heard there was a secret chord
That David played, and it pleased the Lord
But you don't really care for music, do you?
It goes like this
The fourth, the fifth
The minor fall, the major lift
The baffled king composing Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

Your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty in the moonlight overthrew you
She tied you to a kitchen chair
She broke your throne, and she cut your hair
And from your lips she drew the Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

Baby I have been here before
I know this room, I've walked this floor
I used to live alone before I knew you.
I've seen your flag on the marble arch
Love is not a victory march
It's a cold and it's a broken Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

There was a time when you let me know
What's really going on below
But now you never show it to me, do you?
And remember when I moved in you
The holy dove was moving too
And every breath we drew was Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

Maybe there’s a God above
But all I’ve ever learned from love
Was how to shoot at someone who outdrew you
It’s not a cry you can hear at night
It’s not somebody who has seen the light
It’s a cold and it’s a broken Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

You say I took the name in vain
I don't even know the name
But if I did, well, really, what's it to you?
There's a blaze of light in every word
It doesn't matter which you heard
The holy or the broken Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

I did my best, it wasn't much
I couldn't feel, so I tried to touch
I've told the truth, I didn't come to fool you
And even though it all went wrong
I'll stand before the Lord of Song
With nothing on my tongue but Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah

if you feel up to it ............ try to color the voices you hear in your mind .... male red ...... female blue ......

[MonsieurM]

we have previously discussed :

Fibonacci number - Wikipedia, the free encyclopedia

The Fibonacci sequence appears in Indian mathematics, in connection with Sanskrit prosody.[4][9] In the Sanskrit oral tradition, there was much emphasis on how long (L) syllables mix with the short (S), and counting the different patterns of L and S within a given fixed length results in the Fibonacci numbers; the number of patterns that are m short syllables long is the Fibonacci number Fm + 1.[5]

Susantha Goonatilake writes that the development of the Fibonacci sequence "is attributed in part to Pingala (200 BC), later being associated with Virahanka (c. 700 AD), Gopāla (c. 1135), and Hemachandra (c. 1150)".[3] Parmanand Singh cites Pingala's cryptic formula misrau cha ("the two are mixed") and cites scholars who interpret it in context as saying that the cases for m beats (Fm+1) is obtained by adding a [S] to Fm cases and [L] to the Fm−1 cases. He dates Pingala before 450 BCE.[10]

However, the clearest exposition of the series arises in the work of Virahanka (c. 700 AD), whose own work is lost, but is available in a quotation by Gopala (c. 1135):
Variations of two earlier meters [is the variation]... For example, for [a meter of length] four, variations of meters of two [and] three being mixed, five happens. [works out examples 8, 13, 21]... In this way, the process should be followed in all mAtrA-vr.ttas (prosodic combinations).[11]

The series is also discussed by Gopala (before 1135 AD) and by the Jain scholar Hemachandra (c. 1150).

In the West, the Fibonacci sequence first appears in the book Liber Abaci (1202) by Leonardo of Pisa, known as Fibonacci.[2] Fibonacci considers the growth of an idealized (biologically unrealistic) rabbit population, assuming that: a newly born pair of rabbits, one male, one female, are put in a field; rabbits are able to mate at the age of one month so that at the end of its second month a female can produce another pair of rabbits; rabbits never die and a mating pair always produces one new pair (one male, one female) every month from the second month on. The puzzle that Fibonacci posed was: how many pairs will there be in one year?
At the end of the first month, they mate, but there is still only 1 pair.
At the end of the second month the female produces a new pair, so now there are 2 pairs of rabbits in the field.
At the end of the third month, the original female produces a second pair, making 3 pairs in all in the field.
At the end of the fourth month, the original female has produced yet another new pair, the female born two months ago produces her first pair also, making 5 pairs.

At the end of the nth month, the number of pairs of rabbits is equal to the number of new pairs (which is the number of pairs in month n − 2) plus the number of pairs alive last month (n − 1). This is the nth Fibonacci number.[12]

The name "Fibonacci sequence" was first used by the 19th-century number theorist Édouard Lucas.[13]

0 1 1 2 3 5 8 13 21 34 55 89 144 233 377 610

do you think we could come up with a new hidden meaning by just following Nature applied to sacred Books / Poems / Alchemical Treaties

In nature

Fibonacci sequences appear in biological settings,[6] in two consecutive Fibonacci numbers, such as branching in trees, arrangement of leaves on a stem, the fruitlets of a pineapple,[7] the flowering of artichoke, an uncurling fern and the arrangement of a pine cone.[8] In addition, numerous poorly substantiated claims of Fibonacci numbers or golden sections in nature are found in popular sources, e.g., relating to the breeding of rabbits, the seeds on a sunflower, the spirals of shells, and the curve of waves.[49] The Fibonacci numbers are also found in the family tree of honeybees.

[MonsieurM]

did you know

The Old Testament has…
39 books
929 chapters
23,214 verses
593,493 words
Longest book: Psalms
Shortest book: Obadiah (3rd shortest book in the Bible)

The New Testament has…
27 books
260 chapters
7,959 verses
181,253 words
Longest book: Acts
Shortest book in the Bible: 3 John (fewest number of words / 2 John has more words, but one fewer verses.)
5 history books (Acts and the Gospels: Matthew, Mark, Luke, John)
21 letters (epistles)
1 book of prophecy (Revelation)

---------------------------------- and

There are 114 Surahs or chapters in the Qur'an. Each Surah consists of Ayat or verses. Thus, the 114 Surah's consist of 6000 Ayat.

----------------------

According to the Mahabharata itself, the tale is extended from a shorter version of 24,000 verses called simply Bhārata. About 1.8 million words in total, the Mahabharata is roughly ten times the length of the Iliad and Odyssey combined, or about four times the length of the Ramayana

a fractal construct has an 'efficient function', it has a fractal ergonomy to them, they function on multiple levels and in multiple dimensions:

[MonsieurM]

do you think we could come up with a new hidden meaning by just following Nature applied to sacred Books / Poems / Alchemical Treaties

In nature

Fibonacci sequences appear in biological settings,[6] in two consecutive Fibonacci numbers, such as branching in trees, arrangement of leaves on a stem, the fruitlets of a pineapple,[7] the flowering of artichoke, an uncurling fern and the arrangement of a pine cone.[8] In addition, numerous poorly substantiated claims of Fibonacci numbers or golden sections in nature are found in popular sources, e.g., relating to the breeding of rabbits, the seeds on a sunflower, the spirals of shells, and the curve of waves.[49] The Fibonacci numbers are also found in the family tree of honeybees.

let's take the example of The Quran ( 1 book ) first degree fibonacci ( only the chapters / the second degree would be the verses etc. ..)

There are 114 Surahs or chapters in the Qur'an. Each Surah consists of Ayat or verses. Thus, the 114 Surah's consist of 6000 Ayat.

The Noble Qur'an - القرآن الكريم

1 2 3 5 8 13 21 34 55 89 ( 10 numbers )

1 Al-Fatihah
2 Surah Al-Baqarah (The Cow)
3. Surah Ale-Imran (The Family of Imran)
5. Surah Al-Ma'idah (The Table Spread with Food)
8. Surah Al-Anfal (The Spoils of War)
13. Surah Ar-Ra'd (The Thunder)
21 Surah Al-Anbiyah' (The Prophets)
34. Surah Saba' (Sheba)
55. Surah Ar-Rahman (The Most Gracious)
89. Surah Al-Fajr (The Break of Day or the Dawn)

------------------- let's try book of genesis : 50 chapters Genesis. The Holy Bible: King James Version. Bartleby.com

1 2 3 5 8 13 21 34

1 The Creation
2 Man in the Garden of Eden
3 Man's Disobedie
5 The Descendants of Adam
8 ( No Name given )
13 Abram and Lot Separate
21 The Birth of Isaac
Hagar and Ishmael Sent Away
The Covenant between Abraham and Abimelech
34 The Defilement of Dinah Avenged





The Mahabharata, Book 18: Svargarohanika Parva Index

Book 3: Vana Parva
Book 6: Bhishma Parva
Book 9: Shalya Parva
Book 12: Santi Parva
Book 15: Asramavasika Parva
Book 18: Svargarohanika Parva

with the fibonacci Sequance: 18 books

1 2 3 5 8 13

Book 1: Adi Parva
Book 2: Sabha Parva
Book 3: Vana Parva
Book 5: Udyoga Parva
Book 8: Karna Parva
Book 13: Anusasana Parva




btw: Book 18: Svargarohanika Parva has 6 sections

a fractal construct has an 'efficient function', it has a fractal ergonomy to them, they function on multiple levels and in multiple dimensions:

ps: told you we only scratched the surface

[MonsieurM]

would not be fair if we did not play with my fav poem of the moment .... Voluspa ... 66 verses



1 2 3 5 8 13 21 34 55

Poetic Edda/Völuspá

1. «For silence I ask
all children,[1]
great and small,
sons of Heimdallar;
wilt thou, that I, Valfather!
Well recount
ancient history of men,
the first I remember?

2. I remember Jotnar
early born,
those who in old
foster me have;
nine homes I remember,
nine wooded rooms,
wise tree bright
before ground below.

3. In times of old
then Ymir build,
was no sand or sea,
nor gelid waves,
earth existed not,
nor upper heaven,
gap was yawning,
but grass nowhere.

5. Sun warped south,
moons companion,
the right hand
around the heavens rim;
sun knew not
what temples she had,
moon knew not
what power he possessed,
stars knew not
what places they had.

8. With games in the yard
joyous they were,
to them was naught
the lack of gold;
then three there came,
Thuss maidens,
all-powerful,
from Jotunhome.

13. Fili, Kili,
Fundinn, Nali,
Hepti, Vili,
Hanarr, Svíurr,
Billingr, Brúni,
Bildr and Buri,
Frár, Hornbori,
Fregr and Lóni,
Aurvangr, Jari,
Eikinskjaldi.

21. She dispute remember,
the first in the home,
when Gullveig
Geirum supported,
and in Hárs hall
they burn her;
three times burned
the three times born,
often, not seldom,
yet still she lives.

34 . . . . .
. . . . . .
. . . . . .
. . . . . .
Then may Vala
the tie of misery turn,
better-done hard
and tide with guts.

55. Then comes the high
Sigfathers son
Vidarr to slay
the Val-beast;
In Hvedrungs son
his sword pierced
to the heart;
avenged was his father.




Let me know if any comma placement necessary

compare it with the following:

1 The Creation
2 Man in the Garden of Eden
3 Man's Disobedie
5 The Descendants of Adam
8 ( No Name given )
13 Abram and Lot Separate
21 The Birth of Isaac
Hagar and Ishmael Sent Away
The Covenant between Abraham and Abimelech
34 The Defilement of Dinah Avenged

[MonsieurM]

just a head's up to all the Blues reading ( empath ) as such you are a multiplier ( female pole ) .... if you find yourself surrounded by Red .... you will absorb the underlying redness ( all the negative / shadow vibration ) that most people do not show and multiply it within ....


Gnostic.Org: The Kybalion


One may change his mental vibrations by an effort of Will, in the direction of deliberately fixing the Attention upon a more desirable state. Will directs the Attention, and Attention changes the Vibration. Cultivate the Art of Attention, by means of the Will, and you have solved the secret of the Mastery of Moods and Mental States.

"To destroy an undesirable rate of mental vibration, put into operation the Principle of Polarity and concentrate upon the opposite pole to that which you desire to suppress. Kill out the undesirable by changing its polarity."-The Kybalion.

This is one of the most important of the Hermetic Formulas. It is based upon true scientific principles. We have shown you that a mental state and its opposite were merely the two poles of one thing, and that by Mental Transmutation the polarity might be reversed.



Cliff Eberhardt- The High Above and the Down Below

high above.m4v - YouTube