The Brain is an Advanced Fractal Antenna

[MonsieurM]

from: http://www.energeticforum.com/genera...tml#post197766

Another great Pattern Seeker

Gerald Celente - Bill Meyer Show on KMED Radio - June 8, 2012 - YouTube



Gerald Celente - Alex Jones Nightly Infowars 08 june 2012 - YouTube

there are two kind of people who take pleasure in using their spit :

Polticians and "Wankers" .... makes you wonder

so figured we'd look at the history of Self Pleasure ... but before let's enrich our vocabulary

What are some nicknames for female masturbation? - Yahoo! Answers

men have nicknames like spanking the monkey, one eyed snake, polishing the pickle, cranking the shank, beating the meat ( fractal ) ...but what are the nicknames for feminine masturbation?

i did laugh quite hard for some of the names given

A night in with the girls
Auditioning the finger puppets
beating around the bush
brushing the beaver
checking for squirrels
clam bake for one
dialing the rotary phone
drilling for oil
fanning the fur
feeding eh bearded clam
flickin' the bean
getting a date with slick mittens
muffin' buffin'
nulling the void
paddling the pink canoe
parting the red sea
pearl fishing
playing with the pineapple
riding the unicycle
rubbin' the nubbin'
soaking the whisker biscuit
squeeze the peach

strumming the clitar

surfing the channel
teasing the tuna taco
tiptoe through the twolipos
tossing the pink sald
two finger taco tango



or you can also call it ... letting the Butterfly fly

Butterfly

O butterfly, butterfly
Teach us to fly
We want to reach the sky
Touch the milky moon
And play with stars
O butterfly, butterfly
Teach us how and why
You are so beautiful
We want to beautify
Ourselves like you
And attract attention of all
O butterfly, butterfly
Tell us the way
In which we may
Make ourselves colourful
And we may be playful
We want to be cheerful
O butterfly, butterfly
Tell us the secrets
Of your beauty
Unveil the mystery
How do you fly
We want to fly
Like you beautiful butterfly
O butterfly, butterfly

Shashikant Nishant Sharma

L'Origine du monde - Wikipedia, the free encyclopedia

To the pure, all things are pure; to the base, all things are base Kybalion.

[MonsieurM]

History of masturbation - Wikipedia, the free encyclopedia

The history of masturbation describes broad changes in society concerning the ethics, social attitudes, scientific study, and artistic depiction of masturbation over the history of human sexuality. ( a mirror )

The sexual stimulation of one's own genitals has been interpreted variously by different religions, the subject of legislation, social controversy, activism, as well as intellectual study in sexology. Social views regarding masturbation taboo have varied greatly in different cultures, and over history.

now here is the interesting part ( no pun intended )

Diogenes, speaking in jest, credited the god Hermes with its invention: he allegedly took pity on his son Pan, who was pining for Echo but unable to seduce her, and taught him the trick of masturbation in order to relieve his suffering. Pan in his turn taught the habit to young shepherds.[6]

...... Mercury / Hermes etc .... the one who invented the Lyre .....

when you read the article .... you can see the evolution of the Ages or the Yugas .... and how the concept ( fractal ) evolved with the resonance

[SYDERA]

Jamie Buturff

Thank you cplouffe and MrM. I watched Jamie B earlier this year. It is making more sense to me now than it did at first 432 is the key to good health. Thanks again for sharing the info

[MonsieurM]

This is going to be fun: use the principle of correspondence ( use of gold in Ayurvedic medicine )

Researchers propose gold and DNA based dark matter detector

Phys.org) -- One of the precepts of scientific theory is that at some point, physical evidence should become available to prove it true. In physics this is an ongoing process in many areas of study, one of which is the detection and measurement of so called dark matter. Most astrophysicists agree it exists, yet no one has been able to definitively prove it though the presentation of physical evidence. While there are some ongoing projects attempting to do just that, the results have not been strong enough to offer proof. To overcome that problem a team of physicists and biologists have proposed a new type of detector based on a thin sheet of gold with many strands of DNA dangling below. The idea the team says in its paper uploaded to the preprint server arXiv, is to follow the path of a gold nucleus after being struck by a dark matter particle as it makes its way through strands of DNA, severing them as it goes.

----------------- I love synchronicity

Scientists discover bees can 'turn back time,' reverse brain aging

(Phys.org) -- Scientists at Arizona State University have discovered that older honey bees effectively reverse brain aging when they take on nest responsibilities typically handled by much younger bees. While current research on human age-related dementia focuses on potential new drug treatments, researchers say these findings suggest that social interventions may be used to slow or treat age-related dementia.

[MonsieurM]

Thank you cplouffe and MrM. I watched Jamie B earlier this year. It is making more sense to me now than it did at first 432 is the key to good health. Thanks again for sharing the info

a litlle repost for help understanding : http://www.energeticforum.com/renewa...tml#post158363

Grand Solfeggio :: Healing and Changing your DNA through Solfeggio tones

History of the Grand Solfeggio Tones

The history of the solfeggio tones begins with King David, who then passed the secrets on to Solomon. Sometime after Solomon, the tones were lost. David was given four tones, which he created with strings on his lyre. These tones are all used with the psalms, also created by David. The mathematics of the tones matches the mathematics of the psalms (geomatria). Solomon used the tones and the geomatria in the creation of the Song of Songs, also a psalm. This was considered the most sacred of the psalms.

During the creation of Gregorian chant, the solfeggio tones were rediscovered, these based on five notes. Later, a sixth note was added. These were based on the discoveries of Pythagoras and his harmony of the spheres. These also were later lost. In the 90s, Dr. Joey Puleo was given the secret of the geomatria in a vision and the actual frequencies in appearances of Jeshua and an angel that Dr. Puleo did not name. After the turn of the millennium, Joseph Crane was told in an appearance of Archangel Michael that two solfeggio scales existed — one profane and one sacred. The sacred has been known as the “secret solfeggio.” Later, Michael gave Joe Crane six of the frequencies to the sacred solfeggio to be used in healing. And more recently he told Crane that a subset of the frequencies existed, called the Divine Masculine frequencies.

In 2009 the code of both solfeggios was cracked and shown to be linked together mathematically by mathematician and author, GW Hardin, through the guidance of Archangel Gabriel. During the process, yet a third set of solfeggio frequencies showed up in the mathematics. Using what is called the Pythagorean skein, the third set is made up of the sum of the first two sets. What also showed up was an entire fractal system of solfeggios that affect specific parts of the bodies.

There are three levels to the solfeggio tones: the Archetypal (earthly), the Divine (heavenly), and the Universal (cosmic). Within each level there are two components, the Masculine and the Feminine. The Feminine is made up of nine tones in each level while the Masculine is made up of six tones. When all the tones of a component are played they create a harmonic or the tone of Oneness.

Caduceus coil + Vogel Crystal + Rodin Coil + Solfeggio and you the water container the perfect Combination if you look at it closely

3 6 9

John Keely, wrote that the vibrations of "thirds, sixths, and ninths, were extraordinarily powerful." In fact, he proved the "vibratory antagonistic thirds was thousands of times more forceful in separating hydrogen from oxygen in water than heat." In his "Formula of Aqueous Disintegration" he wrote that, "molecular dissociation or disintegration of both simple and compound elements, whether gaseous or solid, a stream of vibratory antagonistic thirds, sixths, or ninths, on their chord mass will compel progressive subdivisions. In the disintegration of water the instrument is set on thirds, sixths, and ninths, to get the best effects.

[MonsieurM]

I know we discussed this website previously but i thought it might interests you :

SVP Universal Cosmology, Table of Contents

Sympathetic Vibratory Physics - Universal Cosmology

A Rosetta Stone for the New Science Paradigm

Version 1.0

Table of Contents

can't help it

Part 01 - General View
Part 02 - Origin of Polar States
Part 03 - Polarity Manifests as Rotating Vortex
Part 04 - Rotation on Three Planes
Part 05 - Three Rotating Planes Become Spheres
Part 06 - Formation of Cubes
Part 07 - Origin and Formation of Matter
Part 7B - Formation of Matter
Part 08 - Sympathetic Streams and 3-D Matter
Part 09 - What Vibration Is. Part 1 & Part 2
Part 10 - What Sympathy Is
Part 11 - SVP Music Model
Part 12 - Russell's Locked Potentials
Part 13 - Rotation from Vibration/Oscillation
Part 14 - Keely's Mysterious Thirds, Sixths and Ninths
Part 15 - Dissociating Water Acoustically
Part 16 - Electricity and Magnetism
Part 17 - Gravity
Part 18 - Mind, an Engineerable Force
Part 19 - Musical Dynasphere, Historical
Part 20 - Musical Dynasphere, Current Development
Part 21 - Pantone's GEET Reactor Dynamics

[MonsieurM]

SVP Universal Cosmology - Part 3 of 17 - Polarity Manifests as Rotating Vortex

3.4 - Power Accumulation - Each of the lines represents a center line or line of attraction around which will aggregate the particles. The lines centralize together meaning proportional increase of attraction as they approximate each other. Which results in greater attraction in the center and less attraction at the periphery.

Up-down = Longitudinal Waves
East-West = Rayleigh Waves
North-South = Transverse Waves




Figure 3.3 - Vector Potentials



Figure 3.4 - Vector Polarizations



Figure 3.5 - Introductory Affinitizing to Center



Figure 3.8 - Celestial Seeks and Condenses at Center




doesn' it remind you of :

you maybe interested in the following Great Discoverer ( one who inspired me quite a bit int this discussion)

Leon Sprink - Antigravity - patents

Leon Sprink was a Russian engineer who operated a cement manufacturing plant in France circa 1950. He received several patents for a simple method to create a type of electric field that accelerates chemical reactions.

In one example given by Sprink, “One month after the setting in operation of the apparatus, the duration of the reaction, which normally is 24 hours, had fallen down to 3 hours and the saving in calories to be supplied for the reaction was 50%… The field also affects the states of matter such as solubility and crystallization, distillation, reduction of metallic ores, etc..."

In the simplest form of the invention, Sprink used a grounded container placed in an electrostatic field. More control and power was obtained with geometric arrays of positive electrodes mounted diagonally from grounded electrodes.

The form (e.g., a cube) was mounted upright and aligned East-West. 1000 to 5000 KV of positive charge (per meter of electrode separation) was applied for two weeks or longer to establish a zone of activation, spreading up to 60 meters :

let's resonate the table with the above fractal

[MonsieurM]

HowStuffWorks "Are there evolutionary roots to human obesity?"

Are there evolutionary reasons for our eating habits?



In the United States, more than 72 million adults are obese ( this trend is observable all over the world when the means allow it to be ) ; 16 percent of children qualify as well [source: CDC]. Obesity increases the likelihood of many life-threatening conditions, including diabetes, cancer and heart disease, so there's been plenty of speculation about what's to blame for these rampantly growing rates of obesity. This era of obesity began in the 1980s, but is it possible that we need to go further back through our evolutionary past to determine what's going on?

Humans are distinguished from other species by the size of their brains, but bigger brains don't come free. A growing brain requires nutrient-rich, energy-packed food, so rather than foraging for fruits and vegetables, our human ancestors began eating meat. Meat was the perfect combination of protein, vitamins and fatty acids needed for brain growth, but due to a stunning lack of steakhouses, early humans had to track, kill and prepare the wild game themselves. This labor-intensive process meant that humans needed lots of food not only to support their growing brains, but also to fuel their bodies for the task of hunting.

Very few people rely exclusively on hunting for their nutritional needs anymore; thanks to our big brains, we humans have figured out ways to make food easily accessible 24 hours a day. We move around much less, and our food has become much less nutritious than those early meals of our ancestors. This drop in nutrition is largely due to the development of agriculture 10,000 years ago. Instead of eating protein-rich meat, our ancestors began eating grains, which have far fewer vitamins and minerals. Our ancestors also began domesticating and breeding animals for food, but the result was more fat in our diet: Wild game has only 4 percent of fat, whereas supermarket beef has about 36 percent [source: Bjerklie, Lemonick].

While the nutritional quality of our food and our activity levels have both decreased over time, our bodies may still behave like those of our ancestors. There were times throughout history when the ability to store fat was an important survival tool. Early humans had to endure famines and shortages of food, so their bodies were equipped to survive long periods without eating. Researchers believe these people possessed what's known as a "thrifty gene," which helped their bodies store fat for endurance. Since the ability to outlast a famine would have been a useful skill, evolution would have favored those who possessed this gene, and it would have been passed down to humans living today.

For many people in the developed world, food is rarely in short supply, so we eat more often. If that thrifty gene is present, though, the body holds onto that food as fat, even if the person has no risk of starving. And it's only in recent years, when humans started living much longer, that we've realized just how many health problems wait down the line for someone with the inability to get rid of excess fat. Whether humans will continue to evolve and rid themselves of the thrifty gene remains to be seen.

All Truth is Half Truth

put this Obesity Wave with all the other Waves we have Discussed ... and you'll understand

the Fractal Wave ie Kali Yuga

Harmony of Destruction .... forced ignorance ( by oneself or by others )



If we were to consider our society like a Human Body ( both fractal ) .... some of you are more familiar with acupuncture ..... which energy points , do you think , have been blocked for so many years ....



by the way : the sun is still rolling

Sun today — solar flares online

[MonsieurM]

a repost because the songs are great : http://www.energeticforum.com/psychi...tml#post195515




CAT STEVENS MY LADY D' ARBANVILLE - YouTube

My Lady d'Arbanville, why do you sleep so still?
I'll wake you tomorrow
and you will be my fill, yes, you will be my fill.

My Lady d'Arbanville why does it grieve me so?
But your heart seems so silent.
Why do you breathe so low, why do you breathe so low,

My Lady d'Arbanville why do you sleep so still?
I'll wake you tomorrow
and you will be my fill, yes, you will be my fill.

My Lady d'Arbanville, you look so cold tonight.
Your lips feel like winter,
your skin has turned to white, your skin has turned to white.

My Lady d'Arbanville, why do you sleep so still?
I'll wake you tomorrow
and you will be my fill, yes, you will be my fill.

La la la la la....

My Lady d'Arbanville why does it grieve me so?
But your heart seems so silent.
Why do you breathe so low, why do you breathe so low,

I loved you my lady, though in your grave you lie,
I'll always be with you
This rose will never die, this rose will never die.

I loved you my lady, though in your grave you lie,
I'll always be with you
This rose will never die, this rose will never die.

... some may see it as a sad song ..... but it is fractal ..... i don't

http://en.wikipedia.org/wiki/Lady_D'Arbanville

"Lady D'Arbanville" was the first single released from Stevens' third album, Mona Bone Jakon, which took off in a completely different direction from the songs of his previous two albums

anisotropy :

he wrote that because he missed me, because he was down..

Side one

1. "Lady D'Arbanville" – 3:45
2. "Maybe You're Right" – 3:25
3. "Pop Star" – 4:13
4. "I Think I See the Light" – 3:55
5. "Trouble" – 2:49
[edit]

Side two

1. "Mona Bone Jakon" – 1:42
2. "I Wish I Wish" – 3:50
3. "Katmandu" – 3:22
4. "Time" – 1:26
5. "Fill My Eyes" – 3:00
6. "Lilywhite" – 3:41

6 / 5

one more from an amazing voice





Hallelujah - Leonard Cohen - YouTube

"Hallelujah"

I've heard there was a secret chord
That David played, and it pleased the Lord
But you don't really care for music, do you?
It goes like this
The fourth, the fifth
The minor fall, the major lift
The baffled king composing Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

Your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty in the moonlight overthrew you
She tied you to a kitchen chair
She broke your throne, and she cut your hair
And from your lips she drew the Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

Baby I have been here before
I know this room, I've walked this floor
I used to live alone before I knew you.
I've seen your flag on the marble arch
Love is not a victory march
It's a cold and it's a broken Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

There was a time when you let me know
What's really going on below
But now you never show it to me, do you?
And remember when I moved in you
The holy dove was moving too
And every breath we drew was Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

Maybe there’s a God above
But all I’ve ever learned from love
Was how to shoot at someone who outdrew you
It’s not a cry you can hear at night
It’s not somebody who has seen the light
It’s a cold and it’s a broken Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

You say I took the name in vain
I don't even know the name
But if I did, well, really, what's it to you?
There's a blaze of light in every word
It doesn't matter which you heard
The holy or the broken Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

I did my best, it wasn't much
I couldn't feel, so I tried to touch
I've told the truth, I didn't come to fool you
And even though it all went wrong
I'll stand before the Lord of Song
With nothing on my tongue but Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah

[MonsieurM]

The Boy With The Moon And Star On His Head lyrics

A gardener’s daughter met me on the way on the day I was to wed
“It is you who I wish to share my body with”, she said.
“We’ll find a dry place under the sky with a flower for a bed.
And for my joy, I will give you a boy with a Moon and Star on His head.”

Her silver hair flowed in the air, laying waves across the sun.
Her hands were like the white sands and her eyes had diamonds on.
We left the road and headed up to top of the Whisper Wood.
And we walked ‘til we came to where the Holy Magnolia stood.

And there we laid, cool in the shade, singing songs and making love,
With the naked Earth beneath us, and the universe above.
The time was late, my wedding wouldn’t wait, I was sad but I had to go.
So while she was asleep I kissed her cheek for cheerio.

The wedding took place and people came from many miles around.
There was plenty merriment, cider and wine abound.
But out of all that I recall, I remember the girl I met.
‘Cause she had given me something that my heart could not forget.

A year had passed and everything was just as it was a year before.
Until the gift that someone left, a basket by my door.
And in there lay the fairest little baby crying to be fed.
I got down on my knees and kissed the Moon and Star on His head.

As years went by, the boy grew high and the village looked on in awe.
They’d never seen anything like the boy with a Moon and Star before.
And people would ride from far and wide just to seek the Word He spread
I’ll tell you everything I’ve learned, and “Love” is all …… he said .

[MonsieurM]

Sir Oliver Lodge once said that the physicist's type of mind could never fathom the mystery of the universe, and the great story, if it ever came at all, must be "the great inspiration of some poet, painter, philosopher or saint."

Walter Russell - The Universal One

[MonsieurM]

you already knew i was going to do it


we have the 30th Parallel North ( 30th parallel north - Google Maps ) .....Let's check out 60th parallel North .... will do the same for South

90th parallel north, the North Pole
90th parallel south, the South Pole

60th parallel north - Google Maps



60th parallel north - Wikipedia, the free encyclopedia

the following one is interesting :


will check it out later see if anything pops within the area

60°0′N 1°21′W United Kingdom Scotland - Islands of Mainland and Mousa, Shetland Islands

Mousa - Wikipedia, the free encyclopedia

Mousa (Old Norse: Mosey "moss island") is a small island in Shetland, Scotland, uninhabited since the nineteenth century. The island is known for the Broch of Mousa, an Iron Age round tower, and is designated as a Special Protection Area for storm-petrel breeding colonies.

Mousa is mentioned in the Orkneyinga Saga as being used as a place of defence during invasions, as well as a lovers' hideout.

History of Shetland - Wikipedia, the free encyclopedia

[MonsieurM]

from: The Number 33: facts - Pg 2

Yoga Sutra 3:33 states:

"Through keenly developed intuition, everything can be known."

The Myth Of Invariance, (The Origin of the Gods, Mathematics, and Music From The Rg Veda to Plato) by Ernest G. McClain, on pg. 69, refers to the Vedic reference to "the Thirty-Three Gods," and suggests that this refers to music, representing a system of intervals shown in a diagram [Chart 13] entitled, "Mandala of the 33 Gods in 60 degrees." (pg. 67)

Ernest McClain - Musical Adventures in Ancient Mythology

p195

Harmonical analysis is a technique for synthesizing the tonal, arithmetical, and
geometrical imagery of ancient civilizations. It aims at the reconstruction of the
esoteric diagrams which gave the sacred symbols of particular cultures their
enduring and magical powers and furnished philosophy with a ground of
certainty. The technique is applicable to all cultures which considered tone and
number twin keys to the secrets of the universe, and practicable wherever a
sufficient mythology and cosmology have survived. I have made explicit the
objective elements of that harmonic technique ; it is based on the habits of
ancients like Plato, Plutarch, Ptolemy, and Nicomachus, and on principles
enunciated anew in our time by men like Brumbaugh, de Nicolás, Levarie, and
Levy. There is in addition to those elements the personal interpretation which I
have proposed in this book : such an interpretation is tested by the intuitions of
others and by its fertility in suggesting further interesting integrations. The
musical imagination required to employ the technique of harmonica) analysis in
uncovering ancient meanings encoded in music, number, poetry, and metaphor
will not lead to certainty, but used wisely it should lead to a “likely story,” one
“more likely” than interpretations that have been musically uninformed.

For Antonio de Nicolás the great lesson of the Ṛg Veda and perhaps of the
whole Indian tradition is centered on the Ṛta, “Body of Law” (from the root ṛ—
, to go, meaning that which has already been gone through, that which has
already “been formed”), “the guide for action of all that can be formed,” and a
“norm.”5

The Ṛta, as . . . the accumulations of practices, customs, goals, and rules of survival
for a community within which individuals are born and foreigners accepted . . . is
the body of the social group, or the embodied community.6 (Emphasis added.)

Ṛta is the world created by the sacrifice of all limiting and partial perspectives,
a ceaseless activity whose rationality is protected by respect for plural norms.
Its fruit is the “Embodied Vision” (Ṛta dhīḥ) which Western philosophical
rationality cannot dissect successfully. Its radiant “musicality” resonates
powerfully in all the great religions of the world. We in the West are capable of
feeling these resonances because our souls have finally been emptied of the
belief, that for a long time constrained the Western imagination, that one and
only one path can lead to truth

Sun today — solar flares online

side note :

3 6 9 is also 3 3 3 9 / 3 6 6 3 / 3 3 3 3 3 3 ( 3 different perspectives )

[MonsieurM]

Musical Adventures in Ancient Mythology

Ernest G. McClain


These occasional essays continue the author's earlier studies published in The Myth of Invariance (1976), The Pythagorean Plato (1978), and in Meditations Through the Quran (1981), correcting, updating, and extending analysis more deeply into Mesopotamian foundations and their extensive development in the Bible and (eventually) Homeric epic.

October 2010

The author's First two books, The Myth of Invariance and The Pythagorean Plato are scanned here for easy downloading by interested students but the copyright restriction is still affirmed for publication.


March 2010

The author's third book, MEDITATIONS ON THE QURAN, published in 1981, is scanned here for easy downloading by interested students but the copyright restriction is still affirmed for publication. Notice, however, that a new Appendix II titled "Abraham's Children" makes very important corrections to errors made thirty years ago regarding YHWH as the "One" God of monotheism (on pp. 131, 134, and 137), and of the "chief cornerstone" on pp. 147-8, and also of the meaning of "first-born sons" (p. 151). More recent translations and publications of cuneiform mathematics now make clear that I misunderstood the greater "Marduk-Baal" matrix for "Noah's flood" as YHWH's own, and overlooked the cornerstone "unit" as eventual "Savior," and misunderstood Jacob's twelve sons as "male, odd integers" less than his death at age 147. The entire problem of ancient Egyptian and Mesopotamian mathematics is now undergoing serious reconsideration within the mathematical community, and all speculation like mine must be considered tentative perhaps for further generations. [PDF]


The following titles are currently available:
"Children of Abraham" (Appendix II to my book on the Quran) [PDF] [docx] [doc]
"The Harmonic Series As Universal Scientific Constant," 4 pp. (orientation principles) [doc.]
"Musical Theory and Ancient Cosmology," an introductory essay published in The World And I in 1994, 21 pp.
"The Forgotten Harmonical Science Of The Bible," 24 pp. [doc.]
"The Nine-String Akkadian Lyre Of Kilmer, Crocker, and Brown" (Essay in preparation).
"Mathematical Harmonics in the Book of Jonah," 5 pp [pdf.]. My Jonah studies have been compressed and edited by the old Testament scholar, Duane L. Christensen, founder and director of Bibal Corporation (see www.bibal.net), as an Appendix to his new textbook, READING JONAH IN HEBREW, 2004, and available from: BIBAL Corporation, 845 Bodega Way, Rodeo, CA 94572, telephone 510-377-7000.



Ernest G. McClain is Professor Emeritus of Music, Brooklyn College of the City University of New York, retired since 1982 and living presently in Washington, D.C.. Clarinetist, band director, author of three books mentioned above and more than thirty related essays in various professional journals, his degrees from Oberlin, Northwestern, and Columbia are in Music Education. He chooses to make these newer essays freely accessible to anyone who finds them useful, with appropriate acknowledgement. Particular attention is given to graphics essential to understanding ancient habits of thought, for mythological narrative often proves to be verbal commentary on matrix arithmetic, and many stories are best understood as straightforward musical allegory. Questions are encouraged and will be answered periodically as time and energy permits. It should be understood that the author is neither a mathematician nor a linguist, working mainly from secondary sources available in English translation as an interested observer on current developments in other disciplines. Attention is on arithmetical details not likely to be understood except by musicologists.

The interpretations offered here should be considered speculative adventures of ideas in the spirit fostered by Alfred North Whitehead in his book of that title, for they concern matters which preclude certainty about the intentions of early authors. After more than three decades of work in this area it seems plausible to propose that most of the numerology in ancient mythology÷and all theology in advanced civilizations--is musically inspired and disciplined. Thus interpretation falls into the general category of Pythagorean studies for it pursues a plausible numerical logic based on the quantification of tuning theory. Foundations appear to have been laid down in the fourth millennium BC before the invention of writing, so that for five thousand years musicians have employed essentially the same fossil science. A fairly primitive arithmetic is handled with great ingenuity, ironic humor, endless word play, and considerable arithmetical elegance. Decoding is great fun when it appears convincing, and a pocket calculator takes all the labor out of ancient multiplication, so that many of these adventures become accessible to children. And because much ancient literature has never been studied carefully from a musical perspective, this adventure is just beginning.

[MonsieurM]

Scientists identify tropical oceans as 'beating heart' of climate change

(Phys.org) -- The world’s oceans are increasingly pumping tropical warm water towards the poles with important consequences for life on Earth, according to a new study.

The tropical regions of the Indian, Pacific and Atlantic Oceans appear to be “acting like a heart”, accumulating heat and then pulsing it in bursts across the planet.

When the warm water reaches the continental shelves, it peels off in northerly and southerly directions, travelling along the shelf-line towards the poles. According to scientists at Plymouth University’s Marine Institute and the National Centre for Scientific Research (CNRS), many of the pulses coincide with El Niño events – and their heat content is increasing in intensity.

If we were to consider our society like a Human Body ( both fractal ) .... some of you are more familiar with acupuncture ..... which energy points , do you think , have been blocked for so many years ....



by the way : the sun is still rolling

Sun today — solar flares online