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Eddie Hazel - We Three - YouTube
Introduction
Free Style ( or formless ) is an improvisational aesthetic that uses one’s realtime local surroundings and (synthetic) synchronicities and virtualities from which to create new expressions in any medium or discipline. We can deal with and use “what comes up” in a creative and therapeutic manner; we can intuit, invent, and concoct from the nonlocal information that is at hand if we simply open to that, living artfully from that spontaneous place.
Free style is an intuitive act that is at once intentionally connective with source and presence, thus freeing and directing that which is inside desiring to emerge – meta-creativity. Freestyle breaks free from the vault of derivative, corporate, or audience-driven formula production. After all, it takes risk to either succeed or fail.
This is the source of artistic and scientific freedom. We must trust the process; trust our own vision – the womb of our subconscious that gives birth to full-blown ideas and inspirations. Freedom of expression means each artist is free to create their own style, weaving into the existing genres of expression, combining, contrasting and injecting their own unique rhythms, modulations, and vision by working at their dynamic edge.
Free style results may be concrete or ephemeral, but the drive comes from a commited perspective on the fundamental nature of reality and our nature. It seeks and sometimes embodies a new way of being, an ethic and aesthetic that is open and psychophysically transformational -- morphogenic. The art of survival equals the survival of art.
Ideally, it is the harmonization of cognitive awareness with empathic and compassionate emotional sensitivity to the zeitgeist of the day. It implies a global conscious awareness – “getting” the Big Picture – and perhaps doing something about it.
Creativity is a local embodiment, an essentially holistic process of a spontaneous non-local field of influence that can permeate the globe. The creative process, like a hologram encapsultes the entire gestalt at several levels of observation; each part reflects the whole if at lower resolution. In this way we find meaning in an idea, a piece of art, a performance, or a culturally revolutionary invention.
The thrust and dynamics of the creative process are such that intentionality encompasses multiple threads of creation simultaneously – rhapsodies of multi-tasking without drudgery. Therefore, there can be no “failure”, for a lost project is easily replaced by another project or process – another thread to weave, another melody to play.
“Free-styling” is a spontaneous eruption of the ever-renewing geyser of creativity – it means embodying the process of inspirational flow in each moment – artful living. This form of creativity can originate in the sciences/technology or the arts or any combination thereof (i.e., Hypermedia; Science-Art; Poetry Science; Nonlocal Healing; Global Architectronics). It describes the mutual interpenetration of life and art, a recurrent theme in contemporary art.
This negentropic energy leads to the embodiment of something intrinsically valuable and emotionally meaningful from essentially nothing. Therefore, free style is always breaking news; it cannot be anything but fresh.
Characterized mainly by deep feelings and heartfelt authenticity and intensity, freestyling creates a hyperreal random movement that nevertheless has its own tempo and internal cohesion, even when it moves in quantum leaps. A good example is an incredibly stimulating and cross-pollinating conversation or interview, where real rapport is established with context and depth allowed to emerge. It springs from an open-minded perspective based in authentic emergence rather than contrived product.
The medium may be people, behind-the-scenes influence, mentoring, cross-pollination, dreaming out loud, brainstorming, contributing to global dialogue on topical issues, technological shift, process-oriented therapies, Socratic method, or immersive experiences that transform those who experience them. There are many more.
The often unrecognized modalities are virtually infinite and range from formal to informal, academic and highly technical to “street”. All are means of influencing people and environments, through revealing meaning with little or no commercial or corporate interests. Freestyling tells it like it is. It is art that reveals Truth.
The significance or meaning of life is a central topic in philosophy, art, religion, medicine and psychology though any definitive answer remains elusive. Ethics or morals (personal accountability) should help us cooperate with one another. But there is no moral super-principle that undergirds us all besides humankind’s survival. It is clear, however, if humanity should cease to exist, it all becomes moot. We may be throwing away the entire arc of evolution through poor choices.
If we have values, we have to stand up and be counted and speak out for them. Moral agency and status are relative. Meta-ethics examines our notions about what constitutes ethics or morality relative to the position of others. Related issues are lifestyle choices, decisions, respect, impartiality, responsibility, identity, duty, principles, empathy, compassion, and conscience or consciousness.
The flattening of affect or emotional neutrality is the enemy – the aspect that conditions poor choices and ethical erosion as the acceleration or speed of cognition increases in our mindnumbing modern lives and we become dulled to the field of perception (Damasio 2004). Its been called information overload and future shock.
Freestyle
Free Style ( or formless ) is an improvisational aesthetic that uses one’s realtime local surroundings and (synthetic) synchronicities and virtualities from which to create new expressions in any medium or discipline. We can deal with and use “what comes up” in a creative and therapeutic manner; we can intuit, invent, and concoct from the nonlocal information that is at hand if we simply open to that, living artfully from that spontaneous place.
Free style is an intuitive act that is at once intentionally connective with source and presence, thus freeing and directing that which is inside desiring to emerge – meta-creativity. Freestyle breaks free from the vault of derivative, corporate, or audience-driven formula production. After all, it takes risk to either succeed or fail.
This is the source of artistic and scientific freedom. We must trust the process; trust our own vision – the womb of our subconscious that gives birth to full-blown ideas and inspirations. Freedom of expression means each artist is free to create their own style, weaving into the existing genres of expression, combining, contrasting and injecting their own unique rhythms, modulations, and vision by working at their dynamic edge.
Free style results may be concrete or ephemeral, but the drive comes from a commited perspective on the fundamental nature of reality and our nature. It seeks and sometimes embodies a new way of being, an ethic and aesthetic that is open and psychophysically transformational -- morphogenic. The art of survival equals the survival of art.
Ideally, it is the harmonization of cognitive awareness with empathic and compassionate emotional sensitivity to the zeitgeist of the day. It implies a global conscious awareness – “getting” the Big Picture – and perhaps doing something about it.
Creativity is a local embodiment, an essentially holistic process of a spontaneous non-local field of influence that can permeate the globe. The creative process, like a hologram encapsultes the entire gestalt at several levels of observation; each part reflects the whole if at lower resolution. In this way we find meaning in an idea, a piece of art, a performance, or a culturally revolutionary invention.
The thrust and dynamics of the creative process are such that intentionality encompasses multiple threads of creation simultaneously – rhapsodies of multi-tasking without drudgery. Therefore, there can be no “failure”, for a lost project is easily replaced by another project or process – another thread to weave, another melody to play.
“Free-styling” is a spontaneous eruption of the ever-renewing geyser of creativity – it means embodying the process of inspirational flow in each moment – artful living. This form of creativity can originate in the sciences/technology or the arts or any combination thereof (i.e., Hypermedia; Science-Art; Poetry Science; Nonlocal Healing; Global Architectronics). It describes the mutual interpenetration of life and art, a recurrent theme in contemporary art.
This negentropic energy leads to the embodiment of something intrinsically valuable and emotionally meaningful from essentially nothing. Therefore, free style is always breaking news; it cannot be anything but fresh.
Characterized mainly by deep feelings and heartfelt authenticity and intensity, freestyling creates a hyperreal random movement that nevertheless has its own tempo and internal cohesion, even when it moves in quantum leaps. A good example is an incredibly stimulating and cross-pollinating conversation or interview, where real rapport is established with context and depth allowed to emerge. It springs from an open-minded perspective based in authentic emergence rather than contrived product.
The medium may be people, behind-the-scenes influence, mentoring, cross-pollination, dreaming out loud, brainstorming, contributing to global dialogue on topical issues, technological shift, process-oriented therapies, Socratic method, or immersive experiences that transform those who experience them. There are many more.
The often unrecognized modalities are virtually infinite and range from formal to informal, academic and highly technical to “street”. All are means of influencing people and environments, through revealing meaning with little or no commercial or corporate interests. Freestyling tells it like it is. It is art that reveals Truth.
The significance or meaning of life is a central topic in philosophy, art, religion, medicine and psychology though any definitive answer remains elusive. Ethics or morals (personal accountability) should help us cooperate with one another. But there is no moral super-principle that undergirds us all besides humankind’s survival. It is clear, however, if humanity should cease to exist, it all becomes moot. We may be throwing away the entire arc of evolution through poor choices.
If we have values, we have to stand up and be counted and speak out for them. Moral agency and status are relative. Meta-ethics examines our notions about what constitutes ethics or morality relative to the position of others. Related issues are lifestyle choices, decisions, respect, impartiality, responsibility, identity, duty, principles, empathy, compassion, and conscience or consciousness.
The flattening of affect or emotional neutrality is the enemy – the aspect that conditions poor choices and ethical erosion as the acceleration or speed of cognition increases in our mindnumbing modern lives and we become dulled to the field of perception (Damasio 2004). Its been called information overload and future shock.
Freestyle
was enjoying himself as he attentively watched the river rushing towards the east.
)
)
) .... see 
.... like .... 
for those who chose to ride the vibe .... 
, and each generation seems to have its own opinions about which tunes will live on as classics. New research suggests that young adults today are fond of and have an emotional connection to the music that was popular for their parents' generation.
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