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CONTROLED LEVITATION (gravitomagnetic and accoustic)

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  • CONTROLED LEVITATION (gravitomagnetic and accoustic)

    i have been researching gravitomagnetic propulsion for few years now. there are multiple approaches that are feasible.

    one non-gravitational method (often used by our neighbours) is purely magnetic drive that repells against (relatively weak) earths magnetic field, but that method requires a very powerfull magnetic field of some 500 tesla. i just wanted to mention this. (high temp. superconductors may make this method more feasible).

    through study of ufo propulsion (ET and man-made) i noticed that virtually always we find resonant ring electromagnets, opposing each other and counterrotating around the same axis, often inside a assymetrical, high voltage electrostatic field. interaction of these opposing and counterrotating magnetic fields produces electrons (attracted to ground) and positrons (attracted to ionosphere).

    it seems that this crossing of high frequency pulsed magnetic field and high voltage electrostatic field can produce gravity-like field.

    it is important to note i believe einsteins model of gravity is completely and utterly wrong. gravity has been described as a "cold magnetic force" of the central earths magnet. this term "cold magnetic force" was used by indian rishi when explaining gravity to james churchward (author of books about Mu) and also in a ET contact case of michel desmarquet almost 100 years later.

    earth only tranforms suns radiant energy into more coarse disturbances of primal force that we percieve as gravity, light etc. when a person (or object) raises their vibration above that of the cold magnetic force (gravity) levitation ensues.

    so, i came up with this concept of mine, i called it RAMA1 as a honour to rama empire, highly advanced civilization that existed in india some 20,000 years ago.

    but, although it wouldn't be expensive to build this model, it requires a high voltage power supply with 3 outputs, each having it's own voltage and frequency control which is very hard to find if not non-existent and should probably be built from scratch.

    anyway, i've been coming back to keelynet, but never did i notice this great summary called "Decker's Anti-Gravity Correlatives". << i didn't copy-paste it here because it's quite long, but read it before proceeding.

    now, by reading all these accounts you will notice that most these late 19th century and early 20th century scientists and inventors mention affecting the ether flow through the "natural neutral center" or "aggregate center" of mass to produce levitation, that is, raise object's energetic state so it is ejected to an environoment more favorable to it's energetic level.



    all these inventors/scientist mostly use some kind of electrical excitation of the mass being levitated, for example by placing a wire around an object and feeding it the frequency of its "mass aggregate", but one stands out, that is alleged statement from edward leedskalnin:

    "the hands are placed lightly over a stone to be levitated. An orally produced musical scale is run through until the hands feel a response stimulus from the stone. Each tone must be sustained to allow the mass to resonate and produce a sufficient reflection to enable detection. Once the mass aggregate resonance is hit upon, that frequency must be SUSTAINED to cause the neutral center to alter the aether flow and thus cause the mass to levitate."

    you probably remember that report of acoustic levitation of big stones (1,5m x 1m) on tibet from 1939. Mega Geometry: Tibetan Monks and the Geometry of Levitating Stones << great article goes in detail on this account with exact measures and angle correlations with the goldean mean.

    here is a sound of "ragdon" trumpets mentioned in the article above

    [VIDEO]https://www.youtube.com/watch?v=lNU4l-hnLxQ[/VIDEO]



    i tend to believe that this method used in tibet is not exactly the same as one described by leedskalnin above, they are probably creating a standing wave beneath the stone to be levitated and periodically amplifying it until it lifts the stone block like a feather. however, this is more related to outside geometry contrary to leedslanin description of producing the sound of objects's resonant frequency to affect it's aggregate mass center (which is of course INSIDE the object).

    also there are some new incredible advances in sound levitation coming from russia which is a story for itself. these guys are pushing the limits of what's possible.

    [VIDEO]http://www.youtube.com/watch?v=nAHaxBFoIkk[/VIDEO]

    we may assume that the key to levitation is to affect the ether flow through the natural neutral center of mass by ANY means, whether electromagnetic or accoustic. i am not sure if by "mass aggregate resonance" leedskalnin means objects resonant frequency, that is the frequency it rings after we hit it with a solid object.

    lately, i am thinking only in terms of vibration - sound, it seems sound is all we need. you know how wine glass breaks when fed with resonant frequency at high enough amplitude. when we feed the object with it's resonant frequency, the sound comes in periodically at the exact moment to produce standing waves as the sound bounces back n forth through the material.

    the goal here is obviously not to break the object but to raise it's energetic state to produce levitation.

    i believe that any speaker should be able to levitate itself and probably even some additiontal weight when fed with it's resonant frequency (or one of the higher or lower harmonics) at high enough amplitude.

    here is a great free software called LF Generator

    [VIDEO]http://www.youtube.com/watch?v=mPVVrltHC-w[/VIDEO] << download link below

    the problem is that all we got is clues. there is no how-to for these things, just random pointers. but we know it is possible, so it is just a matter of fine tuning and amplifying the effect. that is why i am sharing this, i believe that we can "crack the code" together.
    Last edited by etherflow; 03-10-2015, 12:18 AM.

  • #2
    Originally posted by etherflow View Post
    here is a great free software called LF Generator

    [VIDEO]http://www.youtube.com/watch?v=mPVVrltHC-w[/VIDEO]
    Download Link: VB-Audio Freeware Page
    Regards,

    VIDBID

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    • #3
      I play didgeridoo and can pick up a small piece of paper with the sound coming out the end.of didg. Itseems.to get caught in the wave.and.will follow the end.of didg. If I move.it around. Just a long winded confirmation of levitation using sound

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      • #4
        here is an excerpt from the book The Science of Oneness: A Worldview for the Twenty-First Century by Malcolm Hollick << download

        CHAPTER 08: KEELY AND THE PHYSICS OF VIBRATION

        John W. Keely, discoverer of Sympathetic Vibratory Physics, found a means of negating the effect of gravity as well as developing a form of propulsion.

        From 1888 to 1893, Keely worked on developing his system of "Aerial Navigation." The first successful test was in 1893 which led the way to the construction of an aerial craft.

        In 1896, Mr. Keely had so perfected his system that he arranged to give a demonstration of the aerial craft to the United States War Department. In attendance at the demonstration were a number of invited members of the press.

        Descriptions of the craft state that it was a circular platform roughly 6 feet in diameter. On this platform was mounted a small stool set before a keyboard. The keyboard was attached to numerous tuned resonation plates and vibratory mechanisms.

        [Note: We can assume that Keely had some mechanical process, possibly electrical, for keeping the vibratory mechanisms and tuned plates going. This appears to be what created the "polarized field" indicated in the next paragraph below.]

        Mr. Keely explained that these plates would cause the craft to rise and float above the ground when subjected to a polarized field which would generate a "negative attraction." When the effect was produced, the craft would come under the influence of [what Keely referred to as] the "etheric polar current."

        The controlling mechanism consisted of a row of 100 vibratory bars representing the enharmonic and diatonic scales. When half of the bars were damped the craft would move at 500 miles per hour. If all the bars were damped, gravity would resume control and the craft would settle to the earth.

        [Note: Obviously these bars are not the main generators of the sound vibrations; they only change the way the vibrations are flowing through the device by their resonance. Dampening certain bars allowed Keely to make slight changes in the direction of the flow in the CU that was surrounding the craft, thus changing how the craft traveled through Earth‘s gravity.]

        There were no moving parts in the ship's propelling mechanism. [Note: However, it is still producing a “polarized field ” somehow to create the main vibrations that allow it to levitate.]

        It was unaffected by weather and could rise above any storm. The instrument for guiding the airship was distinctly different from the propelling feature. By damping out certain specific notes, Keely could cause the airship to accelerate to any desired speed.

        The experiment was carried out in an open field with observers from the War Department and news media. The ship was said to have accelerated from 0 to 500 miles per hour within a few seconds.

        Most astounding was the apparent total lack of acceleration effects to Mr. Keely as he sat on the stool before the keyboard, controlling the airship.

        Although the government officials were impressed, they stated [that] they could see no use for such a complex device and so did not pursue the matter further. (Remember [that] the Wright Brothers did not demonstrate their airplane at Kittyhawk, NC until December 17, 1903; seven years later!)

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        • #5
          George Mason University students putting out fire with sound

          Youtube video of George Mason University students using sound to put out a fire; very impressive. Nothing levitates, but certainly illustrates the unexpected uses of sound.

          Pump Up the Bass to Douse a Blaze: Mason Students' Invention Fights Fires

          https://www.youtube.com/watch?v=uPVQMZ4ikvM

          Could not find the patent application number, but more information here:

          Fighting Fire with Sound | Aventurine

          Basically their machine is pushing pulsating waves of air molecules at the flames. Buckets of air, rather than buckets of water if you will, which breaks-up the flames. Very simple concept. So was Keely doing the same thing but on a larger scale?
          Last edited by MorningStar; 03-27-2015, 05:49 AM. Reason: More information

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          • #6
            Isnt sound just air pressure changes? Im sure it can be more

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