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The Golden Tractate of Hermes Trismegistus applied to electromagnetism

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  • follow up

    Cosmic Laws

    Gurdjieff focused on two main cosmic laws, the Law of Three and the Law of Seven[citation needed]. (remember St Augustine )

    The Law of Seven ( as in Seven Principles ) is described by Gurdjieff as "the first fundamental cosmic law". This law is used to explain processes. The basic use of the law of seven is to explain why nothing in nature and in life constantly occurs in a straight line, that is to say that there are always ups and downs in life which occur lawfully. Examples of this can be noticed in athletic performances, where a high ranked athlete always has periodic downfalls, as well as in nearly all graphs that plot topics that occur over time, such as the economic graphs, population graphs, death-rate graphs and so on. All show parabolic periods that keep rising and falling. Gurdjieff claimed that since these periods occur lawfully based on the law of seven that it is possible to keep a process in a straight line if the necessary shocks were introduced at the right time. A piano keyboard is an example of the law of seven, as the seven notes of the major scale correspond exactly to it.
    The Law of Three is described by Gurdjieff as "the second fundamental cosmic law". This law states that every whole phenomenon is composed of three separate sources, which are Active, Passive[disambiguation needed ] and Reconciling or Neutral (6 3 9 ). This law applies to everything in the universe and humanity, as well as all the structures and processes. The Three Centers in a human, which Gurdjieff said were the Intellectual Centre, the Emotional Centre and the Moving Centre, are an expression of the law of three. Gurdjieff taught his students to think of the law of three forces as essential to transforming the energy of the human being. The process of transformation requires the three actions of affirmation, denial and reconciliation.
    How the Law of Seven and Law of Three function together is said to be illustrated on the Fourth Way Enneagram, a nine-pointed symbol which is the central glyph of Gurdjieff's system.


    Use of symbols
    In his explanations Gurdjieff often used different symbols such as the Enneagram and the Ray of Creation. Gurdjieff said that "the enneagram is a universal symbol. All knowledge can be included in the enneagram and with the help of the enneagram it can be interpreted ... A man may be quite alone in the desert and he can trace the enneagram in the sand and in it read the eternal laws of the universe. And every time he can learn something new, something he did not know before."[27] The ray of creation is a diagram which represents the Earth's place in the Universe. The diagram has eight levels, each corresponding to Gurdjieff's laws of octaves.

    Through the elaboration of the law of octaves and the meaning of the enneagram, Gurdjieff offered his students alternative means of conceptualizing the world and their place in it.


    Recognize it from Rodin Math

    Origins

    Ouspensky claimed in In Search of the Miraculous that the enneagram was part of the teachings originally presented by G.I. Gurdjieff in Russia during the First World War. Gurdjieff is quoted by Ouspensky as claiming that this form of enneagram was an ancient secret and was now being partly revealed for the first time.[1]

    Although no earlier publication of the Fourth Way version of the enneagram can be cited, it has been proposed that it may derive from, or be cognate to, the Jewish Tree of Life (Kabbalah) as used in Renaissance Hermeticism (which used an enneagram of three interlocking triangles, also called a nonagram)[2] or a nine-pointed figure used by the Christian medieval philosopher Ramon Llull.[2]

    Idries Shah, a populariser of Sufism, has claimed that the enneagram has a Sufi provenance and that it has also been long known in coded form disguised as an octagram.[3] Another claim to a Sufi provenance is offered by the Sufi Enneagram website.

    Robin Amis claims an Orthodox Christian origin, claiming that both Gurdijeff and Ouspensky developed their teaching with insights gained from visits to Mount Athos.[4]

    Another proposal suggests the diagram is a map of the chakras from yogic schools. [5]
    a fractal construct has an 'efficient function', it has a fractal ergonomy to them, they function on multiple levels and in multiple dimensions:

    The Fourth Way enneagram is a figure published in 1947 in In Search of the Miraculous by P.D. Ouspensky, and an integral part of the so-called Fourth Way esoteric system associated with George Gurdjieff. The term "enneagram" derives from two Greek words, ennea (nine) and grammos (something written or drawn).

    The enneagram is a nine-pointed figure usually inscribed within a circle. Within the circle is a triangle connecting points 9, 3 and 6. The inscribed figure resembling a web connects the other six points in a cyclic figure 1-4-2-8-5-7. This number is derived from or corresponds to the recurring decimal .142857 = 1/7. These six points together with the point numbered 9 are said to represent the main stages of any complete process, and can be related to the notes of a musical octave, 9 being equivalent to "Do" and 1 to "Re" etc. The points numbered 3 and 6 are said to represent "shock points" which affect the way a process develops. The internal lines between the points; that is, the three point figure and the six point figure, are said to show certain non-obvious connections, although here very little elucidation is offered.




    Enneagram representing the evolution of food with "self remembering" at point 6
    Last edited by MonsieurM; 02-19-2012, 11:33 PM.
    Signs and symbols rule the world, not words nor laws.” -Confucius.

    Comment


    • Elusive Planet Mercury Shines Bright in Evening Sky Next Week | How to See Planet Mercury & Mercury Skywatching Tips | Amateur Astronomy & Mercury Photos | Space.com

      The planet Mercury is often cited as the most difficult of the five brightest naked-eye planets to see. I've always thought this was a bad rap because there are some times during the year when Mercury is surprisingly easy to see.
      Signs and symbols rule the world, not words nor laws.” -Confucius.

      Comment


      • You can also replace / associate the 6 3 9 Triangle with the following design to have a more complete image




        +









        a smile is good for the health, remember don't take yourself too seriously you'll scare the child within
        Last edited by MonsieurM; 02-19-2012, 11:47 PM.
        Signs and symbols rule the world, not words nor laws.” -Confucius.

        Comment


        • Originally posted by MonsieurM View Post
          follow up









          Recognize it from Rodin Math



          a fractal construct has an 'efficient function', it has a fractal ergonomy to them, they function on multiple levels and in multiple dimensions:





          Looks like Rodin got his start here.
          Half of the Answer is knowing the right Question

          Comment


          • Originally posted by Dave45 View Post
            Looks like Rodin got his start here.
            looks like it he's done humanity a great favor....Thank you if you ever read this ....We are indebted to you

            ps: You should watch the doc on the number 7...it is only 8 min long but you will learn quite a bit...on the fractal properties of 7
            Last edited by MonsieurM; 02-20-2012, 12:00 AM.
            Signs and symbols rule the world, not words nor laws.” -Confucius.

            Comment


            • The points numbered 3 and 6 are said to represent "shock points" which affect the way a process develops. The internal lines between the points; that is, the three point figure and the six point figure, are said to show certain non-obvious connections, although here very little elucidation is offered.
              the beauty of Fractal Constructs...when put together they will resonate to each other


              the third figure above can be found here:



              --------------



              Last edited by MonsieurM; 02-20-2012, 07:02 PM.
              Signs and symbols rule the world, not words nor laws.” -Confucius.

              Comment


              • I dedicate this to all of you fellow Alchemists of the Above and Below

                Even if you don't know what you want, buy something,
                to be part of the exchanging flow.
                Start a huge, foolish, project, like Noah.
                It makes absolutely no difference what people think of you.

                Rumi
                Tesla Did ...Leedskalnin too



                Last edited by MonsieurM; 02-20-2012, 07:27 PM.
                Signs and symbols rule the world, not words nor laws.” -Confucius.

                Comment


                • a little update for better visualization



                  the above cover is taken from: Saint Germain's Dragon

                  SAINT GERMAIN & THE DRAGON
                  The Secret Triangle Book of the Dragon Lineage


                  another little mash up that shows some interesting patterns






                  Signs and symbols rule the world, not words nor laws.” -Confucius.

                  Comment


                  • on our continuing discussion about Fulcanelli...and the Mystery of the Cathedrals...of Gothic Style

                    some of you maybe familiar with the Story of Rennes-le-Château

                    Rennes-le-Château - Wikipedia, the free encyclopedia

                    Rennes-le-Château (Rènnas del Castèl in Occitan) is a commune in the Aude department in Languedoc in southern France.

                    This small French hilltop ( Mountain) village is known internationally, and receives tens of thousands of visitors per year, for being at the center of various conspiracy theories, and for being the location of an alleged buried treasure discovered by its 19th-century priest Bérenger Saunière, the precise nature of which is disputed by those who believe in its existence, because of the sheer diversity of conflicting theories.[1]
                    The village church dedicated to Saint Mary Magdalene has an extremely complex history, having been rebuilt several times. The earliest church of which there is any evidence on the site may date to the 8th century.
                    possibly (imo ) ancient site of a temple of Venus

                    let us its geographic position:

                    History

                    Mountains frame both ends of the region — the Cevennes to the northeast and the Pyrenees to the south. The area is known for beautiful scenery, with jagged ridges, deep river canyons and rocky limestone plateaus, with large caves underneath.
                    Like many European villages, Rennes-le-Château has a complex history. It is the site of a prehistoric encampment, and later a Roman colony (or at least Roman villa or temple, such as is confirmed to have been built at Fa, 5 km (3.1 mi) west of Couiza); being part of the Roman province of Gallia Narbonensis, the wealthiest part of Roman Gaul.

                    Rennes-le-Château was part of Septimania during the 6th and 7th centuries, during the trying period when the Visigoths had been defeated by the Frankish King Clovis I, and during the 19th century was popularly considered to be the center of the county of Razès.[2]

                    By 1050 the Counts of Toulouse held control over the area, involving a rapid increase of castles in the area, including the existence of a castle in Rennes-le-Château by around 1002,[3] though nothing remains above ground of this medieval structure – the present ruin is from the 17th or 18th century.[4]

                    Several castles situated in the surrounding region in the Languedoc (the parent of English )were central to the battle between the Catholic church and the Cathars at the beginning of the 13th century. Other castles guarded the volatile border with Spain. Whole communities were wiped out during the campaigns of the Catholic authorities to rid the area of the Cathar heretics during the Albigensian Crusades and again when Protestants fought for religious freedom against the French monarchy two centuries before the French Revolution.


                    ps: SEPTimania....the word Sept means Seven in French

                    Septimania - Wikipedia, the free encyclopedia

                    Septimania (French: Septimanie, IPA: [sɛptimani]; Occitan: Septimània, IPA: [septiˈmanjɔ]; Catalan: Septimània, IPA: [səptiˈmaniə]) was the western region of the Roman province of Gallia Narbonensis that passed under the control of the Visigoths in 462, when Septimania was ceded to their king, Theodoric II. Under the Visigoths it was known as simply Gallia or Narbonensis. It corresponded roughly with the modern French region of Languedoc-Roussillon. It passed briefly to the Emirate of Córdoba in the eighth century before its conquest by the Franks, who by the end of the ninth century termed it Gothia or the Gothic March (Marca Gothica).


                    Septimania was a march of the Carolingian Empire and then West Francia down to the thirteenth century, though it was culturally and politically separate from northern France and the central royal government. The region was under the influence of the Toulousain, Provence, and Catalonia. It was part of the cultural and linguistic region named Occitania that was finally brought within the control of the French kings in the early 13th century as a result of the Albigensian Crusade after which it came under French governors. From the end of the thirteenth century it was known as Languedoc and its history is tied up with that of France.

                    The name "Septimania" may derive from part of the Roman name of the city of Béziers, Colonia Julia Septimanorum Beaterrae, which in turn alludes to the settlement of veterans of the Roman VII Legion in the city. Another possible derivation of the name is in reference to the seven cities (civitates) of the territory: Béziers, Elne, Agde, Narbonne, Lodève, Maguelonne, and Nîmes. Septimania extended to a line half-way between the Mediterranean and the Garonne River in the northwest; in the east the Rhône separated it from Provence; and to the south its boundary was formed by the Pyrenees.
                    Last edited by MonsieurM; 02-20-2012, 11:32 PM.
                    Signs and symbols rule the world, not words nor laws.” -Confucius.

                    Comment


                    • follow up:

                      Moorish Septimania

                      The Moors, under Al-Samh ibn Malik the governor-general of al-Andalus, sweeping up the Iberian peninsula, by 719 overran Septimania; al-Samh set up his capital from 720 at Narbonne, which the Moors called Arbuna, offering the still largely Arian inhabitants generous terms and quickly pacifying the other cities. Following the conquest, al-Andalus was divided into five administrative areas roughly corresponding to Andalusia, Galicia and Lusitania, Castile and Léon, Aragon and Catalonia, and Septimania.[22] With Narbonne secure, and equally important, its port, for the Arab mariners were masters now of the Western Mediterranean, he swiftly subdued the largely unresisting cities, still controlled by their Visigoth counts: taking Alet and Béziers, Agde, Lodève, Maguelonne and Nîmes. By 721 he was reinforced and ready to lay siege to Toulouse, a possession that would open up bordering Aquitaine to him on the same terms as Septimania. But his plans were overthrown in the disastrous Battle of Toulouse (721), with immense losses, in which al-Samh was so seriously wounded that he soon died at Narbonne. Arab forces soundly based in Narbonne and easily resupplied by sea, struck in the 720s, conquering Carcassonne on the north-western fringes of Septimania and penetrating eastwards as far as Autun (725). But in 731, the Berber wali of Narbonne and the region of Cerdagne, Uthman ibn Naissa, called "Munuza" by the Franks, who was recently linked by marriage to duke Eudes of Aquitaine (also called Odo the Great), revolted against Córdoba, and was defeated and killed. In October 732, an Arab force under Abdul Rahman Al Ghafiqi encountered Charles Martel between Tours and Poitiers, and was defeated. This "Battle of Tours" (also called the Battle of Poitiers) is celebrated in popular history and traditionally credited with stopping the Moorish advance in Europe.




                      Signs and symbols rule the world, not words nor laws.” -Confucius.

                      Comment


                      • Let us travel back in history on the African Side ....Having linked Rennes Le Chateau with the Berber Empire : This is a Town I included in the comic book....(I have to say that a lot of the info within the comic story is weiirdly connected to this research and this was before i started on our Discussion ): two towns to remember

                        Aoudaghost - Wikipedia, the free encyclopedia

                        Arabic sources

                        The earliest mention of Aoudaghost is by al-Yaqubi in his Kitab al-Buldan completed in 889-890 in which he described the town as being controlled by a tribe of the Sanhaja and situated 50 stages south of Sijilmasa across the Sahara desert.[1] "It is the residence of their king who has no religion or law. He raids the land of the Sudan who have many kingdoms."[2] From Ibn Hawqal writing in around 977 we learn that the distance from Aoudaghost to Ghana (presumably the capital of the Empire) was 10 days' journey for a lightly loaded caravan.[3] Ibn Hawqal wrote that the "king of Awdaghurst maintains relations with the ruler of Ghana" which suggests that at that time Aoudaghost was not part of the Ghana Empire.[4] He also mentions the trade in gold and writes that the king of Ghana is very rich because of his stocks of gold but that the kings of Ghana and Kugha "stand in pressing need of [the goodwill of] the king of Awdaghust because of the salt which comes to them from the lands of Islam."[4]

                        The only detailed description that we have for the town is given by al-Bakri in his Book of Routes and Realms which was completed in 1068. Al-Bakri made use of earlier sources and it is likely that his description of Aoudaghost comes from the writings of Muhammad b. Yusuf al-Warraq (904-973) whose own account has not survived
                        Then to Awdaghust which is a large town, populous and built on sandy ground, overlooked by a big mountain, completely barren and devoid of vegetation. ... there is one cathedral mosque and many smaller ones...Around the town are gardens with date palms. Wheat is grown there by digging with hoes, and it is watered with buckets...Excellent cucumbers grow there, and there are a few small fig trees and some vines, as well as plantations of henna which produce a large crop... [there are] wells with sweet water. Cattle and sheep are so numerous... Honey ... is abundant, brought from the land of the Sudan. The people of Awdaghust enjoy extensive benefits and huge wealth. The market there is at all times full of people... Their transactions are in gold, and they have no silver. Most of the inhabitants ... are natives of Ifriqiya [Tunisia]... but there are also a few people from other countries... [They own] slaves so numerous that one person from among them might possess a thousand servants or more


                        and the mine of Taghaza - Wikipedia, the free encyclopedia

                        Taghaza (also Teghaza) is an abandoned salt-mining centre located in a salt pan in the desert region of northern Mali. It was an important source of rock salt for West Africa up to the end of the 17th century when it was abandoned and replaced by Taoudenni. Salt from the mines formed an important part of the long distance trans-Saharan trade. Taghaza is located 857 km (533 mi) south of Sijilmasa (in Morocco), 787 km (489 mi) north-northwest of Timbuktu (in Mali) and 731 km (454 mi) north-northeast of Oualata (in Mauritania).


                        salt from an ancient ocean....full of ORMUS

                        How to make Ormus - YouTube

                        from: Leo Africanus - Wikipedia, the free encyclopedia

                        At the time he visited the city of Timbuktu, it was a thriving Islamic city famous for its learning. Timbuktu was to become a byword in Europe as the most inaccessible of cities, but at the time Leo visited, it was the center of a busy trade carried on by traders in African products, gold, printed cottons and slaves, and in Islamic books. Nothing is known of Leo's later life.

                        Leo is credited with proposing that the origin of the word "Africa" comes from Greek meaning "without cold or fear."


                        In around 1510 Leo Africanus spent 3 days in Taghaza. In his Descrittione dell’Africa he mentions that the location of the mines, 20 days journey from a source of food, meant that there was a risk of starvation. At the time of Leo's visit, Oualata was no longer an important terminus for the trans-Saharan trade and salt was instead taken south to Timbuktu. Like Ibn Battuta before him, Leo complained about the brackish well water


                        Ruins

                        At Taghaza there are ruins of two different settlements, one on either side of the ancient salt lake (or sabkha). They are separated by a distance of 3 km.[18] The larger more westerly settlement covered an area of approximately 400 m by 200 m.[19] All the houses, except the mosque, were aligned in a northwest to southeast direction, perpendicular to the prevailing wind. The houses in the more easterly settlement were aligned in the same manner and occupied an area of 200 m by 180 m. The reason for the dual settlements is not known but could be connected with the fact that Taghaza served both as a salt mine and as a stopping point on an important trans-Saharan trade route

                        Principle of Polarity


                        The Principle of Polarity.

                        "Everything is Dual; everything has poles; everything has its pair of opposites; like and unlike are the same; opposites are identical in nature, but different in degree; extremes meet; all truths are but half-truths; all paradoxes may be reconciled." - The Kybalion
                        Last edited by MonsieurM; 02-21-2012, 01:02 AM.
                        Signs and symbols rule the world, not words nor laws.” -Confucius.

                        Comment


                        • from: THE BENJAMIN SOLARI PARRAVICINI's PROPHETIC MESSAGE - by Tomás Latino

                          "Faith. The world will go looking for, without to see, and seeing, it will not see, it will fall down and will stand up with the Virgin." (year 1939)
                          "Circles of lights will appear flying high, bringing alien beings from other planets. Yes, they were who came to settle the earth, it will be said, and it will be well said. Yes, who were called angels in old testament, or... Jahveh voice, they will be, and they will be seen again, and they will be seen, and they will be heard." (year 1938)
                          "The Darwin theory, will be no longer, because it will be known that the man descended from the planets."
                          The moon crater of the seven circular stair will disclose its secret to the man.
                          The planets will tell the man about races not humanoid of static beauty and mind power Higer! (year 1972)
                          Signs and symbols rule the world, not words nor laws.” -Confucius.

                          Comment


                          • one of my favorite Design School was also an Analogy to all our discussion: an Alchemical Metaphor (just dawned om me )

                            an Expression of Ishtar



                            Art Deco - Wikipedia, the free encyclopedia

                            Art deco (/ˌɑrt ˈdɛkoʊ/), or deco, is an eclectic artistic and design style that began in Paris in the 1920s[1][2] and flourished internationally throughout the 1930s and into the World War II era.[3] The style influenced all areas of design, including architecture and interior design, industrial design, fashion and jewelry, as well as the visual arts such as painting, graphic arts and film. The term "art deco" was first used widely in 1926, after an exhibition in Paris, 'Les Années 25' sub-titled Art Deco,[4] celebrating the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes (International Exhibition of Modern Decorative and Industrial Arts) that was the culmination of style moderne in Paris. At its best, art deco represented elegance, glamour, functionality and modernity. Art deco's linear symmetry was a distinct departure from the flowing asymmetrical organic curves of its predecessor style art nouveau; it embraced influences from many different styles of the early twentieth century, including neoclassical, constructivism, cubism, modernism and futurism[5] and drew inspiration from ancient Egyptian and Aztec forms. Although many design movements have political or philosophical beginnings or intentions, art deco was purely decorative.[6]

                            Art deco experienced a decline in popularity during the late 1930s and early 1940s, but had a resurgence during the 1960s with the first book on the subject by Bevis Hillier in 1968 and later an exhibition organised by him in Minneapolis in 1971.[1] It continued with the popularization of graphic design during the 1980s. Art deco had a profound influence on many later artistic styles, such as Memphis and pop art.

                            Architectural examples survive in many different locations worldwide, in countries as diverse as China (Shanghai), the UK, Latvia, Spain, Cuba, Mexico, Indonesia, the Philippines, Argentina, Poland, Austria, Germany, Russia, Portugal, Romania, Australia, Canada, New Zealand, India, Brazil, Colombia and the United States. In New York, the Empire State Building, the Chrysler Building and Rockefeller Center are among the largest and best-known examples of the style.





                            Alphonse Mucha - Wikipedia, the free encyclopedia

                            Alfons Maria Mucha[1][2] (Czech pronunciation: [ˈalfons ˈmuxa] ( listen); 24 July 1860 – 14 July 1939), known in English as Alphonse Mucha, was a Czech Art Nouveau painter and decorative artist,[3] known best for his distinct style. He produced many paintings, illustrations, advertisements, postcards, and designs.
                            The Japanese manga artist Naoko Takeuchi released a series of official posters depicting five of the main characters from her manga series Sailor Moon mimicking Mucha's style. Another manga artist, Masakazu Katsura, has also mimicked Mucha's style several times. Comic book artist and former Marvel Comics Editor in Chief Joe Quesada also borrowed from Mucha's techniques for a series of covers, posters, and prints.




                            from: http://annagaloreleblog.blogs-de-voy...anc+maçonnerie

                            La Nature, 1899 (HM 9 )



                            Last edited by MonsieurM; 02-21-2012, 02:15 AM.
                            Signs and symbols rule the world, not words nor laws.” -Confucius.

                            Comment


                            • this style can also be seen in the old Movie Metropolis

                              http://en.wikipedia.org/wiki/Metropolis_(film)

                              Metropolis is a 1927 German expressionist science-fiction film directed by Fritz Lang. The film was written by Lang and his wife Thea Von Harbou, and starred Brigitte Helm, Gustav Fröhlich, Alfred Abel and Rudolf Klein-Rogge. The film was produced in the Babelsberg Studios by UFA.

                              Made in Germany during the Weimar Period, Metropolis is set in a futuristic urban dystopia(just like the movie Brazil ), and follows the attempts of Freder, the son of a wealthy intellectual, and Maria, a worker’s daughter, to overcome the vast gulf separating their two classes. Metropolis was filmed in 1925, at a cost of approximately four million ℛℳ.[2] The film was met with a mixed response upon its initial release, with many critics praising its technical achievements while deriding its simplistic and naïve storyline. Due both to its long running-time and footage censors found questionable, Metropolis was cut substantially after its German premiere; large portions of the film were lost over the subsequent decades.


                              or the music video by queen: observe carefully the designs

                              Queen - Radio Ga Ga (with restored Metropolis footage) - YouTube

                              Signs and symbols rule the world, not words nor laws.” -Confucius.

                              Comment


                              • some images from the movie Metropolis....find the 639 triangle in the first image



                                Signs and symbols rule the world, not words nor laws.” -Confucius.

                                Comment

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