Eric Dollard

[upgradd]

Okay, so... WHAT?

Eric is talking about all this mystical bull crap. Does this even have any experimental backing at all? He's spouting all this mumbo jumbo about the aether and stuff, but can he actually give any sort of mechanism for what he is talking about?

This is just pseudoscience. Actually, scratch that, this is mysticism and esotericism.

I wish I could give you a +1 up-vote for your post!

Seems the only science around here is dogma and repression of orthodox information.

As an irony, even his "versor operator" conception is a ripoff! It looks like he either stole the idea from August Hund and his obscure "Bi-symbolische Gleichungen und deren Berwendung in der Elektrtechnik", in German only, or is late to the party.

All in all I have seen nothing from EPD or his associates that makes conventional science "obsolete" or even remotely wrong.

I feel like this forum is the apitimy of Medieval Europe, in the time before Charlemagne's reign and the succeeding High Medieval period, filled only with dogma and ignorance. The holy trinity of this fiefdom are P.L., A.M. and E.P.D., lords whom the peasantry serve by buying their inane intellectual products and who's misguided views they devoutly protect.

[t-rex]

Nfg 666

Eric Dollard and EPD Labs has determined that David Wittekind, Rayam Azab Youssef aka Ray Savant aka Mohamed Youssef aka Techzombie, Tom Brown, and recently discovered individuals are definitely not independent operators. This is a definite organization.

Now that I have become successful, the reptile will rear its head in public so watch its face.

73 DE N6KPH

[BroMikey]

God Bless You Art

I really enjoyed this interview, Eric spoke with enthusiasm and authority, knowledge like Erics is hard one and long traveled given by the trials of fire and personal attacks by those who live on the wrong side of science, history and humanity, wisdom is never found by a closed mind.

It does take a special type of engineer to understand the science of music and the technology of harmonics and Fourier synthesis. As a designer of unique musical instruments, I concur with what Eric talks about. There is no mystical or esoteric mumbling at all, Eric tries to give you a clear insiders understanding of the history of the base mathematics of scale creation and chordal understanding without supplying all the frequency charts and intervals. The building of acoustic chordal forms and scale forms are a longitudinal activity in the space and inside hollows and solid/liquid/gas materials, this is the bases of acoustic engineering. What Eric talks about is the ratios between each sound frequency, that makes up chords and scales, they are based on whole number Pythagorean fractional ratios such as 1,9/8,61/64,4/3,3/2,27/16,243/128,2 which is the ratios for the common diatonic scale(not equal temperament). He also talks about synesthesia, which is common to a lot of artists and musicians and unique people like Eric Dollard, its helps the use to correlate complex ideas. The language of music is not limited to what we hear, Eric mentions the Music at higher and lower frequencies beyond our hearing, and as a engineer he recognizes the need to convert these to the audio spectrum so he can find organic similarities from different octaves. He states unambiguously that the extreme upper octaves is where the ether interacts longitudinally like sound(fine -like cosmic gas particles), and at the other end of the spectrum the low frequencies as in gross matter and planetary, solar wave lengths etc.

He also mentions that sound can influence the moods of people, I would suggest this is why you have the words like harmony and disharmony, chord and dis-chord they explain the interactions in a simple fashion, it is what all musicians know and use when writing songs and musical pieces. The modern musician has not been historically or technically exposed to the reasoning behind our current use of musical intervals, which are cloaked behind a corporate veil of misinformation. The 12 tone scales with A=220 hz is a corporate model that is not true to natural tonal harmony(216 hz = 432/2) or the vibrations that nature utilize, this is his mention of archetypes, Eric is giving you an out from this type of mind control. If you want to know what he is talking about when he mentions Bach, please spend spend a bit of time analyzing the organ work and the engineering of those types of organs in Bachs time, they are nothing like our modern truncated systems of linear scale/key relations we currently use. The acoustic engineers of Bachs time were craftsmen who had perfect pitch and could tell the difference between 256 Hz and 260 Hz, and would compensate the organ pipes to keep those in tune according to the problem of the Pythagorean comma and to each unique scale, this is why you have so many pipes and special knobs on those early 15 century type of organs. He also talks about the acoustic vibrations on Chaldini plates and water frozen to those sound forms, they are known as a common understanding to acoustic engineers, Eric does interprets this correctly by explaining as an archetype which is simply the interval relationships in a chord. He correlates his knowledge correctly when he speaks about electrical vibrations in the earth, where you can have harmony and disharmony between different natural vibrations already present in the earth.

Just to be clear the presenter tries to bring in esoteric meanings and as usual with Eric he does not fall into that trap and explains he is an electrical Engineer and he relates all of this to that type of understanding. The geometric aspects he mentions are the symbolic methods of understanding these complex ideas, nothing mystical here just common sense, simplifying much complexity to basic geometry, no relativity Einstein brain crack. He talks about a common experiences that many sensitive people understand when in an natural environment and when there are thunderstorms nearby, electrostatic acoustic waves are always present when high voltages are pumped between the earth and the sky, this is what Eric talks about. The EM vibrations that are unhealthy or healthy are some what common knowledge to science and the work of Rife is well documented and based on real science, it has been ignored because this type of technology will eliminate the use of 90% of the big Pharma pills. The lack of shoes brings you in true contact to the living earth, Eric speaks with experience about what has been known for thousands of years by all the ancient cultures, being connected to the true environment. Sound vibrations related to living organisms are a well understood science, nothing mystical about the density and wavelengths of stems, cell structures and density of plant material and its water content. Whole organic foods are a simple and basic type of diet that does not include toxic processes or non organic chemicals, as Eric states to operate on the primary level, in all things. The reference of the demonic beings is a reference to the Psychopathic leaders who have no other agenda than absolute control, division of peoples unity and the destruction of freedom for nothing more than maintaining a wealth structure that has only gains for the few. He talks about crystals in an concise and engineering level, great stuff Eric. When Eric calls this type of knowledge occult is what the scientific community has relegated the essential understanding to an occult science, when in reality the opposite is true, the science of wormholes, relativity, string theory, dark matter etc are pure occult language. Where Eric explains the problem of the understanding of basic induction is where modern physics brings into the basic knowledge a lot of mystical mathematical language which is not what really happens but only a relationship of quantities, this can be explained in a better symbolic language which is what Eric has brought to the table. A enjoyable and a well understood talk by Eric, thanks regards Arto.

Wowzee

I stand in awe of the self exist one and his creation. Everyone and I mean everyone and their voice hold great significance.

Like I said before Eric is a smart guy about these things and I am not. You (ART) are able to relay the information in detail and precision.

I have never in my lifetime heard such a beautiful description of the small piece of creation. Simply put for us, who are trying to get a handle on what is being discussed.

I can relate and understand completely everything you said and must agree.

Don't ever give up trying to help guys like me who have never heard any of this even though all we generally spout is skepticism and frustration.

Myself included we the people are in programed blindness and confusion.

I can not say enough about your short essay concerning the infinite creation.

Most of what Eric is talking about goes right over our heads and we will need to repeat these messages.

Kindest regards, Mike

[artoj]

Great Interview

I really enjoyed this interview, Eric spoke with enthusiasm and authority, knowledge like Erics is hard one and long traveled given by the trials of fire and personal attacks by those who live on the wrong side of science, history and humanity, wisdom is never found by a closed mind.

It does take a special type of engineer to understand the science of music and the technology of harmonics and Fourier synthesis. As a designer of unique musical instruments, I concur with what Eric talks about. There is no mystical or esoteric mumbling at all, Eric tries to give you a clear insiders understanding of the history of the base mathematics of scale creation and chordal understanding without supplying all the frequency charts and intervals. The building of acoustic chordal forms and scale forms are a longitudinal activity in the space and inside hollows and solid/liquid/gas materials, this is the bases of acoustic engineering. What Eric talks about is the ratios between each sound frequency, that makes up chords and scales, they are based on whole number Pythagorean fractional ratios such as 1,9/8,61/64,4/3,3/2,27/16,243/128,2 which is the ratios for the common diatonic scale(not equal temperament). He also talks about synesthesia, which is common to a lot of artists and musicians and unique people like Eric Dollard, its helps the use to correlate complex ideas. The language of music is not limited to what we hear, Eric mentions the Music at higher and lower frequencies beyond our hearing, and as a engineer he recognizes the need to convert these to the audio spectrum so he can find organic similarities from different octaves. He states unambiguously that the extreme upper octaves is where the ether interacts longitudinally like sound(fine -like cosmic gas particles), and at the other end of the spectrum the low frequencies as in gross matter and planetary, solar wave lengths etc.

He also mentions that sound can influence the moods of people, I would suggest this is why you have the words like harmony and disharmony, chord and dis-chord they explain the interactions in a simple fashion, it is what all musicians know and use when writing songs and musical pieces. The modern musician has not been historically or technically exposed to the reasoning behind our current use of musical intervals, which are cloaked behind a corporate veil of misinformation. The 12 tone scales with A=220 hz is a corporate model that is not true to natural tonal harmony(216 hz = 432/2) or the vibrations that nature utilize, this is his mention of archetypes, Eric is giving you an out from this type of mind control. If you want to know what he is talking about when he mentions Bach, please spend spend a bit of time analyzing the organ work and the engineering of those types of organs in Bachs time, they are nothing like our modern truncated systems of linear scale/key relations we currently use. The acoustic engineers of Bachs time were craftsmen who had perfect pitch and could tell the difference between 256 Hz and 260 Hz, and would compensate the organ pipes to keep those in tune according to the problem of the Pythagorean comma and to each unique scale, this is why you have so many pipes and special knobs on those early 15 century type of organs. He also talks about the acoustic vibrations on Chaldini plates and water frozen to those sound forms, they are known as a common understanding to acoustic engineers, Eric does interprets this correctly by explaining as an archetype which is simply the interval relationships in a chord. He correlates his knowledge correctly when he speaks about electrical vibrations in the earth, where you can have harmony and disharmony between different natural vibrations already present in the earth.

Just to be clear the presenter tries to bring in esoteric meanings and as usual with Eric he does not fall into that trap and explains he is an electrical Engineer and he relates all of this to that type of understanding. The geometric aspects he mentions are the symbolic methods of understanding these complex ideas, nothing mystical here just common sense, simplifying much complexity to basic geometry, no relativity Einstein brain crack. He talks about a common experiences that many sensitive people understand when in an natural environment and when there are thunderstorms nearby, electrostatic acoustic waves are always present when high voltages are pumped between the earth and the sky, this is what Eric talks about. The EM vibrations that are unhealthy or healthy are some what common knowledge to science and the work of Rife is well documented and based on real science, it has been ignored because this type of technology will eliminate the use of 90% of the big Pharma pills. The lack of shoes brings you in true contact to the living earth, Eric speaks with experience about what has been known for thousands of years by all the ancient cultures, being connected to the true environment. Sound vibrations related to living organisms are a well understood science, nothing mystical about the density and wavelengths of stems, cell structures and density of plant material and its water content. Whole organic foods are a simple and basic type of diet that does not include toxic processes or non organic chemicals, as Eric states to operate on the primary level, in all things. The reference of the demonic beings is a reference to the Psychopathic leaders who have no other agenda than absolute control, division of peoples unity and the destruction of freedom for nothing more than maintaining a wealth structure that has only gains for the few. He talks about crystals in an concise and engineering level, great stuff Eric. When Eric calls this type of knowledge occult is what the scientific community has relegated the essential understanding to an occult science, when in reality the opposite is true, the science of wormholes, relativity, string theory, dark matter etc are pure occult language. Where Eric explains the problem of the understanding of basic induction is where modern physics brings into the basic knowledge a lot of mystical mathematical language which is not what really happens but only a relationship of quantities, this can be explained in a better symbolic language which is what Eric has brought to the table. A enjoyable and a well understood talk by Eric, thanks regards Arto.

[Tenaus]

Here is Eric Dollard's interview on The Supernatural Power of Music:
Eric P Dollard - The Supernatural Power of Music - YouTube

Okay, so... WHAT?

Eric is talking about all this mystical bull crap. Does this even have any experimental backing at all? He's spouting all this mumbo jumbo about the aether and stuff, but can he actually give any sort of mechanism for what he is talking about?

This is just pseudoscience. Actually, scratch that, this is mysticism and esotericism.

[Sputins]

@JP.
Dirty relay contacts, yep that can do it. Fault finding, seems to be a dying art these days, well done locating the fault.

Somewhere I’ve seen some instructions on how to build your own Variable Mutual Inductance device, they’re not too hard to make, I might have to try building one and apply it to my circuit. Although so far my Pi network seems to work okay for impedance matching.

Yeah, I think a reasonably light coupling with a nice sharp Q will be best for impedance match / balance between the primary tank crt and secondary. If you start using an extra coil, the coupling between the primary and secondary might be better with it slightly increased?

That is a neat little trick with the single turn light bulb around the primary tank. I’ll certainly take up on that little tip, simply tune for max brightness. Awesome.

Not sure why your coax would heat up, something's up there. Strip conductor might be the way to go. Arcing variable air capacitor? I’ve had my 1500V rated variable cap arc over once or twice, (not good) usually this was because of a poor impedance match to the system on the pi network, or running the primary tank on its own with no load or coupling etc. This has concerned me slightly, as if she arcs over with just two parallel 807’s some higher voltage variable caps may be needed down the track with a 1KW transmitter. So that leaves you with expensive vacuum variable caps, or to perhaps use the regular air variable caps, but submerge them in mineral oil or transformer oil or something similar?

I’ve not noticed my 807 tubes having a blue corona, but I’ll run a bulb at full power and take another look. - Nice looking glow on the VR tube, something I’ll try as a voltage indicator too, a good idea.

As for the dark spots, it’s all very interesting. An interference pattern of sorts, but what is happening in that space? That is the subject under study! What if you had a spherical vacuum space, like two Perspex halves bolted together, pull a vacuum, or partial vacuum, (inert gases could be injected into it also). Place that in between and see what plasma shapes form. That would be expensive to build though. Try out some other plasma mapping ‘devices’ other than fluorescent tubes - If you could make a plasma column where the dark spot lands on a grid or internal conductor of sorts, maybe measurements could be done? You might have to take up glass blowing as well!

My own progress slowed recently, (sighting domestic reasons) with efforts now picking up some momentum again. I’m building up my second primary coil.

Excellent work JP.
Sputins.

[Aaron]

Eric Dollard - The Supernatural Power of Music

Here is Eric Dollard's interview on The Supernatural Power of Music:
Eric P Dollard - The Supernatural Power of Music - YouTube

[mikrovolt]

Glad to see your efforts take shape with the Q. Moving the heat to the center is good indication that heat is the location max radiating. A copper pipe hardline might work. An additional Parallel line are sometimes used for drawing off excess during phase correction or phase loop in transmission lines.

In looking for details on instrumentation development I was able to find a little. In this book what Aston and others found various dark space in discharge tubes.

Scientist by Aston’s time must have concluded AC transverse wave was sufficient.There are clues that Tesla waves were not given much concideration and this bias became more persistent and textbook companies leave out. picking up the pieces from late 1890's so that methods used will better include Tesla waves.

On page 343 summary entitled Aston’s dark space. In trying different gases some showed small thin dark space.
Conduction of Electricity Through Gases - Google Books
I was incounraged to find on page 349 figure 134 illustrates a tube that indicates longitudinal magnetic wave gives an idea what to look for and what this tube looked like.
The tube here is a sensitive instrument inclined to be qualitative for dark space.

The complete array of 4 dark spaces shown.
Electric glow discharge - (The Plasma Universe Wikipedia-like Encyclopedia)
The glow characteristics bunch different stages.
http://lrrpublic.cli.det.nsw.edu.au/.../pressure4.jpg
In some smaller dark zones are rounded and in the demo there was large dark space and we could see the tail.

[BroMikey]

Out of this world setup

These were the two hardest images to come by. This is using a 4 ft long fluorescent tube. These things light up much easier than the smaller tube, so it was harder to get completely dark spots. It was extremely difficult to find two interference patterns, let alone photograph them at the same time. These are the two most impressive pictures in my opinion, even if the interference patterns weren't as pronounced as some of the others.





I did some hard thinking after these tests and something immediately came to mind. If I stuck just one end of the fluorescent lamp near the coils, the entire tube would light up. That is, if one end of the tube was receiving enough energy to ionize the gas inside, the plasma would propagate down the entire tube. Here's a couple pics demonstrating this with a 4 foot fluorescent tube, to really show the plasma propagates down the tube:



So all it took was part of the fluorescent tube to be receiving field energy and it would be spread through the ionized molecules, and light up the whole tube even if the other end of the tube wasn't receiving any field energy. So the plasma inside the tube tends to spread, regardless of whether or not a field is present. Now this is what seems interesting to me, and please correct me if I am mistaken because I'm not very knowledgeable about plasma but:

This tells me one of two things is happening in the "dark spots"
1. The interference pattern is actively sucking energy away from the tube in this area to prevent a plasma from forming.
or
2. The interference pattern somehow prevents energy from the "lit" plasma being transferred to the unlit regions of the tube.
Any comments or criticism are welcome!

Hello jpolakow

Your work is great, I have never seen these replications. I often wondered over the past 40 years what has become of Eric's wireless machines.

The way I understand it is that there is one transmitter and as many receivers as you can build so the more receivers one has the more power output/per input.

Please correct me if this is wrong. I have never heard of anyone building such an awesome setup as yours.

Many wireless experiments can be found all around the world in many high voltage array.

This is all I know about the entire overall picture and it is not much.

I know that the mass of primary and secondary are to be equal but I don't know what that gets you for doing it that way.

Thanks for the excellent replication.

Mike

[orgonaut314]

Got it! I'm not going for a pig nose but for a variometer between my driver and my primary! That way I can make the coupling low Very impressive transmitter and I learn a lot from the pictures. Thanks!

About the blue radiation I think that is the so called bremsstrahlung. Normally they say the electrons are slowed down and than they emit blue light.
Bremsstrahlung
But I think Eric says there are no electrons just aether particles because the fieldlines are breaking.

Regards!

[jpolakow]

These were the two hardest images to come by. This is using a 4 ft long fluorescent tube. These things light up much easier than the smaller tube, so it was harder to get completely dark spots. It was extremely difficult to find two interference patterns, let alone photograph them at the same time. These are the two most impressive pictures in my opinion, even if the interference patterns weren't as pronounced as some of the others.





I did some hard thinking after these tests and something immediately came to mind. If I stuck just one end of the fluorescent lamp near the coils, the entire tube would light up. That is, if one end of the tube was receiving enough energy to ionize the gas inside, the plasma would propagate down the entire tube. Here's a couple pics demonstrating this with a 4 foot fluorescent tube, to really show the plasma propagates down the tube:



So all it took was part of the fluorescent tube to be receiving field energy and it would be spread through the ionized molecules, and light up the whole tube even if the other end of the tube wasn't receiving any field energy. So the plasma inside the tube tends to spread, regardless of whether or not a field is present. Now this is what seems interesting to me, and please correct me if I am mistaken because I'm not very knowledgeable about plasma but:

This tells me one of two things is happening in the "dark spots"
1. The interference pattern is actively sucking energy away from the tube in this area to prevent a plasma from forming.
or
2. The interference pattern somehow prevents energy from the "lit" plasma being transferred to the unlit regions of the tube.
Any comments or criticism are welcome!

[jpolakow]

What I did next was start playing around with some fluorescent tubes, trying to see the interference patterns. I captured some pretty cool pictures: (It was hard to take pictures because I was holding the tube in one hand and the camera in the other)
I’m going to start with the least impressive images and move towards the more impressive ones. (Also note in these pictures I'm wearing gloves. I discovered you can get an RF burn if you are touching one of the metal pins of the fluorescent tubes while holding the tube in the field of the coils)

[jpolakow]

I was able to increase the plate voltage no problem, but now the plate current would increase as well. So to keep the plate current within spec, I had to lower the coupling on the transmitter even more to keep the tubes from getting too hot. This was doubly beneficial because I increased the power being fed into the primary tank, and reduced the coupling at the same time which reduced the reflected impedance and raised the Q of the primary tank. This was when I had to bypass the RF ammeter. At this level I couldn't bring the Simpson AC voltmeter anywhere near the coils without being pegged to its limit, so I didn't even attempt to take any field strength readings.

There was something interesting happening at this point, the two primaries didn't have the same amount of current flowing through them. One #47 bulb was lit significantly brighter than the other. Its kind of hard to see in the pictures, but this is the best I was able to capture on film:


Also interesting to note is that the primary that had a dimmer bulb (signifying less current) had a secondary with a higher peak voltage than the other secondary. I was able to ascertain this by drawing an arc off the secondary with the fluorescent lamp.

This secondary created a longer arc than the other secondary. What this tells me is that the primary on this side was coupling more of its field energy into its associated secondary than the other side. I will have to test this more in the future. I'm curious if switching the coil connections from one primary onto the other will also move the effect, or if it is specific only to this primary/secondary.

Also I used a VR tube to probe the voltage level across the primary and secondary. Notice in the following pictures as I move the VR tube closer to the end of the secondary the VR tube gets brighter.

[jpolakow]

Anybody have any idea of what that blue corona is? It sure looked cool! It isn't any interaction with the "getter" of the tube as that is at the bottom of the tube:
Contrast the royal blue glow of the output tubes with the 866 rectifier tubes from the power supply:

[jpolakow]

Testing: Round 2
For this round of tests I took no hard data, only pictures and observations. So there's no graphs I can display this time. I have lots of observations, some cool pictures, and somewhat of a transmitter tuning procedure now.

To help tune the primary tank I used a trick Eric showed me: take a #47 incandescent bulb, solder a loop of wire to its two terminals, and put it around 1 turn of the primary coil. This was very effective in tuning the variable capacitor to achieve max current flowing in the primary tank. It was much more sensitive than the RF ammeter in the transmitter. The variable capacitor would be adjusted until it gave the brightest light coming out of the bulb. Here's a pic of the setup, a bulb was put around each primary:




Here's the way tuning was done this time: (which yielded the most power yet achieved)
1. Start at max coupling of the variometer - to get current into the primary tank.2
2. Adjust the external capacitance until the #47 bulb lights as bright as it will get. This will have the effect of maximizing the rf amperes flowing in the primary tank circuit, as well as increasing the plate current.
3. Turn down the coupling - this has the effect of turning up the plate current because now the plate circuit is de-tuned.
4. Re-dip the plate.
5. Again adjust the external capacitance to get max brightness of the bulb and repeat the iteration of previous steps. As the tuning progresses, the amount of adjustment of capacitance to reach maximum brightness on the bulb becomes tighter and tighter (Q is going up). To the point where even just touching the knob of the variable capacitor with my finger changed the capacity enough to have an effect on the brightness of the bulb.

A couple of observations at this point- after the transmitter and primary tank were tuned to their peak performance I noticed the coax used to make the connections between the two primary coils(RG8/U) was heating up excessively even after only a few minutes of operation. I think this is some of the biggest coax you can get so I’m probably going to end up making a stripline for the primary connections to reduce losses. Also as the tuning of the primary tank reached its maximum Q, I noticed the air variable capacitor start to flash over every now and then. The plate voltage on the tubes was around 650 VDC at this point, the coupling between the transmitter and primary tank was very minimal, and the air variable capacitor was rated at 2000 volts so the Q of the primary tank must have been pretty high.

Following the above adjustment procedures slowly zeroes in on the best tune of maximum current flowing in the primary tank. I was able to peg the RF ammeter using the above steps. I wanted to see what kind of effects I could see in a fluorescent lamp with max power attainable however. So I increased the power output of the TCS transmitter even more by turning up the plate voltage. The plate voltage of the TCS is supposed to be ~450 volts. The tubes used are 1625 tubes, which are a military version of 807 tubes. They can handle a plate voltage of up to around 700 volts. So I increased the plate voltage up to 700 volts and the screen voltage up to around 350. The 807's have a max plate current of around 125 mA apiece, or 250 for two in parallel. At this level I began to see a blue glow around the tubes. Here's a couple pictures: